西藏 — 旅行线条

Create one original collector-quality flat ceramic-wrap illustration for TIBET. Native PNG RGBA, 3840 x 1280 pixels; final use 250 x 75 mm at 3840 x 1152 pixels. Keep the complete artwork inside x=100..3740 and y=130..1150. Real zero-alpha background and open internal gaps. No product photograph or mockup, paper, white backing, coloured panel, sky wash, photographic shading, watercolour fog, soft blur or grain. Borrow only the supplied reference's drawing quality, never its geography or text. Draw sharply resolved ink contours with simple deliberate flat fills. Faces, hands, roofs and leaf forms are clean and legible. Use exactly Himalayan blue #24477D, saffron #D6A135 and brick red #A34B43. No extra ink colours. The only visible word is TIBET, perfectly spelled once, large and immediately readable. No small captions, Chinese signs, Tibetan script, numbers, logos, signature or fake calligraphy.

C6 — A forceful, sharply printed journey in motion. Draw angular energetic ink contours, confident three-colour silhouettes and a shallow rising S rhythm. The large word TIBET appears in bold slightly slanted brush-cut capitals across an open upper-centre gap. Its letters must be complete and unobscured; do not omit the title or replace it with a roofline. No other writing.

Build THREE strong visual masses with a few carefully chosen local discoveries. The largest foreground mass at the left is a southeastern tea picker extending one arm with a single tea shoot above a broad tilted bamboo basket. Another pair of clear hands rolls a handful of leaves on a large shallow tray. A modest tea shelter and three spare terrace curves rise behind them, representing the humid Yigong/Bomi, Medog and Zayu cultivation and processing world. Show real Camellia leaves, not a thousand tiny decorative specks. A peach branch and two angular Nyingchi gorge contours complete this group.

The middle mass is a lower Lhasa teahouse table seen obliquely: one host pours sweet tea from a stout metal kettle into a guest's bowl. The table's edge and pouring gesture continue the directional sweep. Two small stepped Potala roof levels and one compact Gyantse stupa rise behind this scene as cultural accents; they are not tea factories. Keep the architecture clean and countable, not a miniature city.

The right mass climbs upward through a tall wooden butter-tea churn beside a pastoral host, then a complete loaded yak and a quiet angular dry-plateau ridge. A small kettle, two bowls and two plain compressed tea bricks make the hospitality concrete. The host's face, hands and the yak's legs are distinctly drawn. Do not merge faces into the landscape.

Use blue for the main contour and title, saffron for selected vessel and garment planes, brick red for small architectural and textile accents. Clean transparent gaps separate gestures, branches and roofs while the sweeping rhythm keeps the scene cohesive. Empty snow and water are alpha openings, not white fill. Do not turn the entire plateau into a tea plantation or combine all mountains into an impossible crowded skyline. Print-quality sharpness throughout: no fuzzy foliage, muddy brushwork, halo, depth-of-field blur, clipped subjects or atmospheric background.