天津 — 河畔拱廊与茶

PRINT CALIBRATION — Create a completely NEW region-specific illustration, borrowing ONLY the line quality and composition intelligence from the reference. Do not copy the reference region, its title or its place names. Draw the region named below. Absolutely sharp, clean edges; no blur, smudging, cloudy shading or atmospheric washes. All letterforms exact. Keep every major object, title and letter entirely inside the canvas with a clear 80-pixel safety margin; no straight vertical cutoffs at the sides. RGBA with truly empty alpha between objects.

CRITICAL SUBJECT: TIANJIN ONLY. Draw TIANJIN, Tianjin Eye, Haihe bridges, Five Great Avenues, Goubuli teahouse atmosphere, northern tea trade. NO CHONGQING, NO Yongchuan, Jinfo, Dazu, Youyang or Wulong. Your large title is TIANJIN.

Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C4 — GARDEN COLLECTOR ATLAS.
Three-ink intimate collector drawing of tea, regional nature and architecture. Elegant hand contour with meaningful timber, foliage and stone details. Two hero scenes of unequal size are joined by a curved local scenic backbone, with smaller discoveries along it. Tall elegant serif regional title rests between roof or ridge silhouettes. This is a coherent cultural landscape with air through it, not a dense antiquarian engraving, souvenir icon grid, or flat stock travel poster.

REGION: TIANJIN. EXACT PALETTE: #255762, #A48235, #C67355. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

At left a generous near tea table stands under merchant arcades, with a server, guest and plain jasmine-tea tin. At right the bridge-mounted Tianjin Eye makes a tall open circular counterweight. Between them, a Wudadao house, a small Italian-quarter facade and Tianhou Palace roof frame a thin Haihe bend. Add a Qianxiangyi-inspired performance doorway with two tiny but legible actors and a Jiefang Bridge truss below. A clay-figurine maker and a small woodblock-printing table are cultural discoveries near the tea court.

REGIONAL TRUTH: Tianjin is a northern tea-trade and tea-drinking city, not a tea-growing province. Its established jasmine-tea merchants obtained and processed supplies in southern tea regions before bringing tea to Tianjin. Zhengxingde is documented evidence of this merchant culture, but no brand logo is needed. Qianxiangyi is a documented teahouse performance venue, supporting the combination of xiangsheng, tea tables and social listening. The Haihe, merchant architecture and port identify the city. Any tea stockroom in the artwork is an interpretive trade scene, not an invented named tea museum. Do not invent local tea fields, a special Hakka sweet tea or export-market statistics.

SPECIFIC COMPOSITION: The open wheel and bridge arches provide actual transparent spaces. A low riverbank-and-arcade rhythm links distant architecture to the close human tea table. Title in elegant serif occupies a clear saddle, never wraps around the wheel. Keep crafts readable in simple silhouettes rather than rows of tiny ornaments.

TEXT: Main title exactly "TIANJIN". Secondary labels, each once and attached to its correct scene: Haihe; Wudadao; Tianjin Eye; Jasmine Tea. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.