内蒙古 — 茶星座

RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

Create an original collector-quality two-ink tea-culture engraving for INNER MONGOLIA. This is flat print artwork, never a photograph of a mug. Native PNG RGBA 3840 x 1280 pixels; the intended final transparent wrap is 250 x 75 mm, 3840 x 1152 pixels. Keep every visible object wholly inside x=100..3740 and y=130..1150. The complete yurt and all people must fit: no cropping at any edge. Borrow only the supplied reference's clean illustrative discipline, never its region or lettering.

Use exactly two ink colours: deep steppe blue #204D6D and warm ochre #BE923B. Genuine empty alpha forms the spaces between and within objects. No white ink, beige paper, colour panel, filled landscape rectangle, atmospheric mist or faded brush wash. Lines remain sharply defined at print scale. Main outlines are confident 3–5 px pen strokes, with a few clean short parallel hatch strokes inside an object where necessary. Avoid stippled noise, photographic tonal modelling, tiny foliage carpets and any smudged or dissolving edges. Think a beautiful contemporary engraved travel collectible with carefully drawn faces, hands and utensils.

ONE connected composition with THREE unequal focal groups, rather than a row of equally sized icons. The centre is dominant: a large low metal cauldron, a dignified Mongolian host raising a long ladle, and a slender continuous stream of milk tea returning to the vessel. Their face and both hands are clear and anatomically coherent. Beside the cauldron sit a decorated milk jug, two elegant bowls and a shallow dish of toasted grain. Their generous clean surfaces give the eye pauses; do not fill every surface with ornament.

At the left, a slightly smaller tea-trade counter in front of a simple Hohhot-style timber gateway. A merchant opens a parcel of imported tea bricks while another weighs a brick on a suspended balance. Draw two or three rectangular compressed tea bricks with restrained clean crosshatching, two wrapped transport bundles, and a single small loaded Bactrian camel farther behind. The fully visible camel has two humps. Keep this whole gateway and the camel comfortably inside the canvas.

At the right, a complete round yurt with an arched roof and open doorway, lower than the title. A seated guest receives a bowl from a host; their exchange continues the central ladle's movement. Show a modest stool and one small tethered horse in the distance. Keep the yurt's outer contour complete, with empty alpha outside it. There are no green tea plantations; this is grassland hospitality using imported tea.

Connect the groups with one shallow steppe contour, a few curved grass blades and the deliberate flow of gestures, vessels and bundles. Leave irregular clear openings through the panorama. The title INNER MONGOLIA appears once in a generous opening above the cauldron, in distinguished upright engraved capitals; spell every letter exactly. No smaller text, numbers, seals, logos, extra slogans or Chinese characters. Rich tea-specific storytelling comes from large legible actions and objects, not from crowds of miniature landmarks.

The finished drawing must feel precise, warm and collectible. Preserve the two-ink identity, complete silhouettes, clean open alpha and beautifully articulate linework across the whole image. No blurred mountains, smoky halos, solid background or mockup.