Цзилинь — Рисованный атлас

CRITICAL GEOLOGICAL GEOMETRY: Tianchi is one uninterrupted open oval crater lake enclosed by its volcanic rim. There is NO island, NO green hill and NO land of any size in the middle of the lake. Its entire interior is continuous open water. Keep every tree and every green slope OUTSIDE the outer stone crater rim. The ring of mountains encloses the water from outside; it must never become a central island.

RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

Create one exceptional, completely flat regional ceramic-print artwork. This is the actual printable illustration, never a cup, product photograph, mockup, presentation board or simulated ceramic surface. The collection reference controls drawing language only: invent a new composition for the specified region and replace all Guangdong-specific objects. The source map supplies a regional inventory, not a paper texture or a layout to trace literally.

TECHNICAL CONTRACT: native canvas exactly 3840 x 1280 pixels, true RGBA PNG. Keep every visible mark, letter, ornament and antialiased edge inside x=60..3780 and y=110..1170. The final delivery will use a centered 3840 x 1152 export for a 250 x 75 mm wrap; leave the native safety area completely transparent. Compose for a long horizontal physical print, not a conventional poster. Nothing is cut off at either end. All exterior space and meaningful holes between objects must have alpha zero. No painted background, white underpainting, sky rectangle, tinted paper, land silhouette, colour fog, opaque backdrop or checkerboard. The wearer-visible ceramic supplies the unprinted space. Use the specified colours as ink, with normal edge antialiasing; do not invent extra white, black or metallic ink. Never print dimensions, crop marks, palette swatches, filenames, reference names or instructions.

ART DIRECTION: create a memorable hierarchy, a major focal scene and a quieter counterweight; alternate large close forms with medium stories and a few small discoveries. Let tea life interact with the region. Connect selected objects through a real roofline, tabletop, lane, ridge or river contour; retain clear breathing channels so each gesture and vessel is legible. Do not impose any percentage of empty space. Avoid both a cramped rectangular carpet and timid isolated stickers. Use confident, intentional linework that will survive the 75 mm print height. Limit texture to useful material clues. Any water, snow, steam or clouds are sparse outlines with transparent interiors, never washed fills. No photographic gradients, glow, heavy grunge, blurred edges or tiny illegible hatch fields.

FACTUAL DISCIPLINE: the scenes below distinguish cultivation, processing, trade, hospitality and non-tea infusions. Do not turn imported tea, berries, ginseng, barley, trees or grasslands into tea plantations. Do not invent a local tea cultivar, a named historic tea shop, medical effects, a precise trade route or archaeological evidence. Landmarks are cultural/geographic motifs, not assertions that tea was grown or traded at their gates. A contemporary tea pause next to a landmark is an authored scene, not a documentary historical claim. Keep people natural and respectful, with plausible hands and gestures; use no decorative pseudo-script.


C4: INTIMATE DRAWN REGIONAL ATLAS. Use the Guangdong garden-atlas reference as a collector-illustration benchmark: fine lively contours, locally observed architecture, nature, animals and tea. Three inks, selected wood, stone and textile marks; delicate tall serif regional title nestled among roofs or ridges. Two unequal scenic anchors and smaller discoveries share a curved geographic backbone. Draw a believable regional journey, not a dense medieval engraving or a diagram of isolated objects.

REGION: Jilin. Exact ink palette: #254D43, #A44366, #849E6F. The first colour supplies the main line; the others have deliberate separate roles, not gradients.

AUTHENTIC SUBJECT MATTER:
Use the crater bowl of Tianchi and the sharp Changbai rim as the main natural signature; draw water as open curved strokes. Contrast this with a low Songhua riverside street, a small stone bridge, a Korean-style courtyard roof group at Yanji, and a wooden rural farmhouse. Include one deer, two cranes, a few pines and a compact ginseng cultivation shade frame near Baishan. Ginseng roots are illustrated as roots, never Camellia tea bushes. A single horse and rider may mark the plains at one end. Tonghua can be suggested by a small traditional gateway. The cultural architecture, forest ecology and real tea-service actions make a rich northern story without inventing tea agriculture.

Tea anchors that remain visible: modern tea-art pouring from a gaiwan, imported leaf weighing and tasting, a traveller with tea thermos, and a separately understood ginseng herbal still life.

SPECIFIC COMPOSITION:
Make the crater and a long pine limb the upper-left anchor, while the lower-right anchor is an old-street tea room with a practitioner at an open window. A stone bridge and Songhua curve connect them; the Yanji courtyard roof group is smaller and higher. The ginseng shade frame and root appear near the farmhouse, correctly distinct from tea. One deer under the pine and two cranes above the river provide fine-scale rhythm. The thermos traveller occupies the foothill threshold. Let the title sit between the crater lip and the roof line without competing with either hero.

VISIBLE TYPE: exact main title "JILIN" once. The regional title is the only printed text. Do not add small location labels. No Chinese characters, bilingual captions, pseudo-calligraphy, gibberish, slogans, logos or signatures. Prioritize visual storytelling over words. Do not allow letters to merge with foliage or buildings. The design must feel like a collectible regional artwork that a tea professional would want to handle and study.