Henan / HA_C3
Henan — Амфитеатр южного чая
Горы Dabie раскрываются как сцена сбора, обработки и чаепития.
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Региональное исследование и источники
Основание проверки
Сбор, обработка и подача чая связаны в читаемую панораму; HENAN и подписи пяти кластеров сохранены, края объектов закончены, между группами есть открытые участки.
PNG RGBA 3840 × 1152 px; настоящий альфа-канал; пропорциональный экспорт 250 × 75 мм.
Допущен после просмотра для открытой галереи; не означает утверждение пользователем промышленного тиража.
Палитра авторского задания
#584F2C
#B66B3A
#538A87
#8A715E
#BEA05B
Точное текстовое задание
Текст совпадает с публичным TXT. Перечень надписей и деталей описывает авторское задание; это не OCR и не обещание воспроизводимости без использованных референсов.
SHA-256: 9085d1cc19f251dbddb92212645f89ae2fb2e6efe17f8b629fea26fa70f53549
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Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark. DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels. COLLECTION C3 — LIVING TEA TERRITORY. Five-colour illustrated tea territory, richly connected with a real regional river, ridge, street or courtyard procession as its organising spine. One large near tea action, a substantial counterweight and smaller midground scenes form three depths. Neighbouring episodes share real ground contours or architectural parts; there is no two-row grid or detached sticker arrangement. Strong condensed regional title fits the lower rhythm without acting as an opaque footer. Warm human storytelling, controlled decorative detail and selective flat accents. REGION: HENAN. EXACT PALETTE: #584F2C, #B66B3A, #538A87, #8A715E, #BEA05B. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink. Make a wide south-Henan tea valley opening toward the viewer: Shihe cultivated slopes form the left bank, Shangcheng's higher Dabie ridges the right. Midground Guangshan and Xinxian tea farms share an open drying courtyard where leaves are being spread. At the front one worker shapes Maojian while a companion pours a small tasting glass. A narrower Tongbai ridge forms a distinct distant extension instead of being falsely placed inside Xinyang. Portray green and black tea as separate samples at the table, not one imaginary processing machine. REGIONAL TRUTH: Henan tea production is concentrated in its southern hills. Xinyang Maojian is a fine green tea, with Shihe a core district and the Dongjiahe tea mountains an established origin. Its craft includes spreading, pan fixation/rolling, shaping and drying. Guangshan, Shangcheng and Xinxian are real tea-producing areas in the wider Xinyang region; Tongbai is a distinct southern Henan tea area. Xinyang Hong is black tea, not the same processing as Maojian. Never place tea plantations across the northern Yellow River plain or grow tea among the Longmen carvings. Shaolin, Kaifeng and Luoyang are cultural travel motifs, not asserted tea estates. SPECIFIC COMPOSITION: The courtyard is an open irregular breathing space between hill contours, not a cream polygon. Large near tools, medium people and far tea rows provide strong depth. The lower condensed HENAN follows a low slope. Five locality labels integrate with the relevant banks and roof edges. TEXT: Main title exactly "HENAN". Secondary labels, each once and attached to its correct scene: Shihe; Guangshan; Shangcheng; Xinxian; Tongbai. No other text. FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.