Beijing — Путь от пакета к чашке

RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

PRINT CALIBRATION — Create a completely NEW region-specific illustration, borrowing ONLY the line quality and composition intelligence from the reference. Do not copy the reference region, its title or its place names. Draw the region named below. Absolutely sharp, clean edges; no blur, smudging, cloudy shading or atmospheric washes. All letterforms exact. Keep every major object, title and letter entirely inside the canvas with a clear 80-pixel safety margin; no straight vertical cutoffs at the sides. RGBA with truly empty alpha between objects.

Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C6 — JOURNEY LINES.
Three-ink energetic angular drawing with bold slanted regional lettering, directional hatching and a dynamic diagonal or shallow S-shaped journey across the width. A near tea craft or hospitality action has dramatic scale; landmarks recede behind it. Regional movement gives the line a purpose. Strong recognisable silhouettes and intersecting depth planes, not scattered stamps, comic panels, scribble chaos or generic adventure badges. Keep angular energy legible and preserve clear transparent channels.

REGION: BEIJING. EXACT PALETTE: #702A2D, #C58B36, #587D79. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

A large foreground hand tilts a plain paper tea packet toward a scoop, with a shop scale behind. The packet fold points into a shallow S of hutong roofs and a moving bicycle. Follow that city rhythm to a shared tea table, a small storytelling stage, the circle of the Temple of Heaven and a far Summer Palace bridge. A reduced Mutianyu wall climbs the final ridge. Keep the close action domestic and specific: imported tea becomes a measured portion and then a cup, not magic leaves flying over the city.

REGIONAL TRUTH: Beijing is a tea-consumption, merchant and teahouse city rather than a plantation region. Maliandao is an established tea-trade district. Jasmine tea is central to its everyday tea identity, with long-established tea merchants around Qianmen/Dashilan and other city districts. Its tea and scenting flowers are supplied from southern producing regions; do not portray tea or jasmine plantations in Beijing. Lao She Teahouse links tea to performance, and Laijin Yuxuan is a documented historic park teahouse. Hutong tea tables are an interpretive everyday scene, not a claim that a particular fictional shop exists. Never stage tea growing on the Great Wall or identify Jinshanling as inside Beijing.

SPECIFIC COMPOSITION: Slanted BEIJING fits over the central roof saddle. Angular hatching on packet folds, timber and stone contrasts with smooth bowl contours. Use open spaces for street, sky and water, no opaque red skyline block. Complete full figures and hands well inside all margins.

TEXT: Main title exactly "BEIJING". Secondary labels, each once and attached to its correct scene: Maliandao; Jasmine Tea; Hutong Tea; Mutianyu. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.