台湾——茶艺之岛

# Stage 1 — independent generation; exact prompt

Draw one ORIGINAL TAIWAN souvenir print in the simple hand-drawn language of the supplied Guangzhou and Hong Kong cup photographs: large shapes, medium contours, sparse marks, open interiors and selective flat colour. Create new Taiwan subjects; do not copy cities, logos or compositions. FLAT artwork only, no cup or mockup.

FORMAT: true transparent PNG RGBA, 3840 x 1280 px. Keep all ink inside x=75..3765 and y=110..1170. Removing 64 px above and below will produce 3840 x 1152 px for 250 x 75 mm. Use the broad strip. No paper, ceramic rectangle, frame, lighting or shadows. Open spaces AND unfilled interiors must reveal alpha transparency.

DRAWING: sharp hand-drawn outlines 5–7 px wide at this master size, gently irregular. Describe each object chiefly by its OUTSIDE shape. Literally only 3–5 internal strokes per object: a few basket slats, veins, windows or water lines. Stop there. No hatching, stippling, grain, dense weaving, tiny repeated leaves or fuzzy edges. The reference tram shows the right simplicity. NOT an engraving, watercolour, botanical plate or detailed map.

ONLY THREE INKS: dark plum #513B4F outlines and title; muted jade #8DAC95 and soft apricot #E9B58A selective FLAT accents. Leave most interiors unpainted. Colour only selected roof faces, leaf halves, tea surfaces, train panels or basket rims. Crisp boundaries. No gradients, washes, grey shadows, scenic colour backdrops or halos. No white or cream ink; unfilled means transparent.

ONLY TEXT: TAIWAN, exactly once. Large upright, hand-drawn narrow serif capitals in plum, in an upper-middle opening, about one quarter of the strip width. Simple solid letters. No illustrated letters, small captions, other words, numbers, Chinese characters, logos or pseudo-writing.

TEN UNEQUAL GROUPS form a lively irregular souvenir album. Mix tall, round, slanted and horizontal shapes. Neighbours fit around one another with close, naturally uneven clear intervals. Some sit higher, some lower; the title fills one local opening. No regular grid, equal badges, sticker borders, straight rows or huge empty gaps. No common horizon, river or continuous mountainous panorama.

1. PINGLIN / WENSHAN: large tilted shallow bamboo tray holding just SIX distinct long curled Baozhong leaves. Four short rim marks suggest bamboo. Two small tea-row curves beside it, not a filled landscape.
2. ORIENTAL BEAUTY: tall graceful tea shoot with three large leaves and one bud. One clearly visible little leafhopper rests on a leaf. Three veins suffice. Colour only two leaf halves. No bee or butterfly.
3. LISHAN: two angular mountain outlines, small pine silhouette and THREE broad curved tea rows on lower slopes. Sky and most mountain interiors transparent. No plantation on a rocky summit.
4. DONG DING: handsome big round roasting basket, four sparse weaving strokes, FIVE rounded oolong pellets visible on its open top. Apricot rim only; no heap of tiny leaves.
5. SUN MOON LAKE: simplified three-tier pagoda, two water strokes and small open cup with apricot tea. No filled lake shape, distant background or reflective haze.
6. ALISHAN: substantial friendly short narrow-gauge locomotive with clear cab, chimney and three wheels, one cypress and two low tea-row curves. Plum contours with small apricot train panels. No smoke, dense machinery or rows of tiny windows.
7. EASTERN TEAS: two open dishes diagonally placed; one has FOUR long twisted black-tea leaves for Ruisui/Wuhe, the other FOUR round pellets for Luye/Taitung. Bare interiors, selective jade rims. No honey or syrup.
8. SOUTHERN TEAS: broad-leaved tree-tea branch for Liugui beside a small wind-bent coastal tea shrub for Manzhou and two sea strokes. Few veins, distinct plant silhouettes, no forest.
9. TAIPEI: recognisable Taipei 101 stepped outline beside one small unlettered tea shipping chest. Keep the characteristic stacked exterior; omit rows of minute windows. Tea trade, not an urban plantation.
10. PENGHU: friendly little sailing boat, three simple low islets and two short open water strokes. No opaque sea.

Place names above are instructions ONLY, never printed. The basket, sprig, train and tower should be large and memorable. Others are smaller, never microscopic. Simple travel-cup drawing, open interiors, clean medium lines and two soft accents. Deliver only the transparent print.

# Stage 2 — masked local repair of the basket; exact prompt

Repair ONLY the small masked area on the front wall of the large round roasting basket to the right of centre. The current source has an accidental ragged transparent gap interrupting the apricot basket wall and its dark plum woven slats. Reconstruct that missing basket section: continue the existing soft apricot flat wall smoothly across the gap, continue the few dark plum horizontal and vertical slat lines so the weave is coherent, and preserve the existing curved lower contour. Match adjacent line weight and flat colour exactly. Do not introduce white paint, a patch outline, blur, glow, new leaves or extra decoration. All other pixels, typography TAIWAN, scenes, objects, colours, geometry and composition are to remain unchanged. Preserve the native 3840 x 1280 size and genuine RGBA transparency outside the existing artwork. The supplied alpha mask marks only the repair region. Output the same complete flat artwork with this tiny basket defect repaired; no crop, no new background, no mockup.