陕西——南方之叶与北方之路

PRINT CALIBRATION — Create a completely NEW region-specific illustration, borrowing ONLY the line quality and composition intelligence from the reference. Do not copy the reference region, its title or its place names. Draw the region named below. Absolutely sharp, clean edges; no blur, smudging, cloudy shading or atmospheric washes. All letterforms exact. Keep every major object, title and letter entirely inside the canvas with a clear 80-pixel safety margin; no straight vertical cutoffs at the sides. RGBA with truly empty alpha between objects.

FINAL PRINT DISCIPLINE: Draw sharp original graphic strokes with clean antialiasing, no blur, soft halos, watery texture, fake shadow or doubled outlines. The full scene has authentic transparent exterior and transparent open interiors, never a white or beige backing. Every complete subject and word is kept 120 pixels inside all native borders. Match only the supplied example drawing language, not its region. All content must belong to the requested region.

Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C6 — JOURNEY LINES.
Three-ink energetic angular drawing with bold slanted regional lettering, directional hatching and a dynamic diagonal or shallow S-shaped journey across the width. A near tea craft or hospitality action has dramatic scale; landmarks recede behind it. Regional movement gives the line a purpose. Strong recognisable silhouettes and intersecting depth planes, not scattered stamps, comic panels, scribble chaos or generic adventure badges. Keep angular energy legible and preserve clear transparent channels.

REGION: SHAANXI. EXACT PALETTE: #744432, #C17532, #536F82. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

An angled close tea branch and Hanzhong harvesting hand guide the eye into the Han River valley, through a Ziyang boat and a Pingli leaf-spreading shelter. The S-shaped journey climbs a Qinling contour and emerges behind a compact Xi'an gate toward a Jingyang brick-pressing bench. Huashan's sharp rock flank and a small northern yaodong silhouette contrast with the soft southern tea rows. Draw river and mountain edges as vigorous broken contours, never an opaque provincial map silhouette.

REGIONAL TRUTH: Shaanxi has real southern tea cultivation in Hanzhong and Ankang: Hanzhong Xianhao, Ziyang teas and Pingli Nuwa tea are established regional identities. Shangluo also has tea production under the Qinling Quanming regional name. Jingyang in the north is a Fu brick-tea processing and trade centre; do not invent a northern Jingyang plantation. Fu tea is compressed dark tea and must appear as textured bricks, separate from loose southern green tea. The Qinling range, Han River and the dry northern loess provide the province's meaningful geographic contrast. Show no medical promises, selenium diagrams or goddess claiming to make tea.

SPECIFIC COMPOSITION: Bold slanted SHAANXI sits above the route midpoint, away from Huashan's highest tip. Near leaf, medium workshop and distant gate create three scales. Angular hatch describes rock and wicker selectively; the open river and archways preserve transparency.

TEXT: Main title exactly "SHAANXI". Secondary labels, each once and attached to its correct scene: Hanzhong; Ziyang; Pingli; Qinling; Jingyang. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.