青海 — 按真实杯子

Create an original flat souvenir-cup decal, not a mug mockup or a photographed product. Follow the approved real-cup outline style with simple shapes and restrained accents. Do not reproduce the source map's parchment, dense relief shading or filled scenery. Native canvas 3840 x 1280 pixels, actual RGBA PNG, with every mark safely inside x60..3780/y110..1170; final centered export is 3840 x 1152 for 250 x 75 mm. Keep all canvas margins alpha zero. No visible frame or printed technical information.

Use confident, slightly human 5–7 px outlines, readable at 75 mm print height. Most object bodies are open alpha-zero interiors: the ceramic itself becomes the unprinted colour. Only small, sharply bounded flat accent patches; no white or cream backing, no sky/ground slab, no brown wash, watercolor, airbrush, photographic texture, dense engraving or crosshatching. Use 3–5 short interior marks for an ordinary vessel or object, a few essential openings for a building. Tea steam is at most one or two open curls. No global ground line connecting every scene.

Arrange 8–10 substantial, unequal episodes in a lively irregular field. Put the largest episode off-center, let a tall narrow object answer it, and fit a few smaller ones into purposeful gaps. Different heights and natural overlaps are welcome, but every episode needs a legible silhouette and a clean breathing channel. No fixed whitespace percentage, no equal two-row sticker grid, no miniatures scattered under an enormous empty heading. Preserve real regional identity through observed objects and explicit tea actions. Never invent tea farms or label herbs as tea leaves. Architecture is a geographic motif; contemporary tea pauses are authored scenes, not historical evidence.


C7: REAL SOUVENIR-CUP PEN DRAWING. Match the approved Xinjiang and Shanghai cup illustrations through warm, assured medium outlines and selective small flat accents. At native size use approximately 5–7 px main strokes and only 3–5 interior strokes per simple object. Larger buildings may have a few more essential windows, never dense hatching. Most enclosed bodies remain transparent. Draw 8–10 unequal, generous subject groups at different heights, with irregular open channels between them. This is neither an evenly spaced icon grid nor a tightly packed panoramic painting. No watercolor, sepia haze, opaque cream objects, stippled shading or engraving.

REGION: Qinghai. Palette: #4C467C, #3F9AA1, #AC8743. First colour is the main outline; remaining two are small flat accents. No additional inks.

Draw NINE large uneven episodes: (1) a Hehuang host pouring from a copper kettle into a three-piece Babao gaiwan, the most prominent hospitality group; (2) an aocha pot on a modest hearth, a visibly broken compressed-tea brick and two bowls; (3) a Mado household host with a butter-tea churn, bowl and one yak near a tent edge; (4) a Qinghai Lake traveller with thermos and two spare open shoreline curves; (5) a Repkong painter with a simple scroll frame and a plain tea cup, no text or invented sacred iconography; (6) a compact Kumbum layered roof group with only essential openings; (7) two Tibetan antelope under three sharp Kunlun peaks; (8) a Chaka pier/short rail cue beside a low salt-lake outline, no reflective painted surface; (9) a Xining courtyard gateway with a small pack-animal pair approaching along one short path contour. Keep the two mammals in episode nine anatomically distinct from the yak. Vary widths and heights naturally around the title. Main violet outlines with modest teal vessel/lake marks and tiny ochre textile/roof accents. Object interiors, snow, water and ground are unprinted transparency. No plateau tea terraces, medicinal symbols, geographical river-junction diagram or decorative micro-labels.

PRINTED TEXT: exactly "QINGHAI" once, near the upper composition, in warm hand-drawn block-serif capitals. This is the only visible text: no place names, subheadings, numbers, Chinese, labels, logos or signatures. Keep the word readable and scaled to the drawing, not an oversized empty banner. Preserve the anatomy and silhouette of local animals and vessels; do not repeat or multiply episodes to fill gaps. Deliver the drawing itself on genuine transparency.