江苏 — 从园林到茶灶

PRODUCTION CALIBRATION: use the supplied crisp print illustration as the leading standard for edge clarity, and use any cup photo only for its hand-drawn spirit. Create original local subjects; never reproduce the reference title or region. All strokes and letters must be sharp, complete, readable and deliberately drawn. No painterly blur, soft dirty halos, translucent smearing, duplicated words or pseudo-writing. Every complete object and letter stays 120 pixels inside each native edge. All unpainted exterior and interior openings must be genuine transparent alpha, not an opaque white canvas. Replace any weak fine detail with fewer clear graphic marks.

Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C6 — JOURNEY LINES.
Three-ink energetic angular drawing with bold slanted regional lettering, directional hatching and a dynamic diagonal or shallow S-shaped journey across the width. A near tea craft or hospitality action has dramatic scale; landmarks recede behind it. Regional movement gives the line a purpose. Strong recognisable silhouettes and intersecting depth planes, not scattered stamps, comic panels, scribble chaos or generic adventure badges. Keep angular energy legible and preserve clear transparent channels.

REGION: JIANGSU. EXACT PALETTE: #355653, #B47985, #82A590. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

A close diagonal tea branch emerges beneath a fruit-tree limb, with a Biluochun picker completing the foreground action. The journey follows a Taihu boat past an arched canal bridge, turns through a Yixing potter's open workbench and climbs the outline of a kiln roof. Nanjing city-gate geometry, a slim tray of Yuhua needles and a Yangzhou tea-sharing pavilion finish the right side. All buildings are schematic local silhouettes, not a dense architectural rendering.

REGIONAL TRUTH: Dongting Biluochun belongs to Dongshan and Xishan/Jinting by Lake Taihu and its tea-fruit intercropping landscape. Its fine curled leaves are shaped by hand in a pan. Nanjing Yuhua is a needle-shaped green tea, not Biluochun. Yixing combines Yangxian tea production with a separate zisha teaware craft; pots are not grown or mass wheel-thrown as porcelain. Lianyungang has Yunwu tea. Yangzhou's tea-table culture and tea refreshments provide a hospitality counterpart. Keep these distinct growing, processing, vessel-making and social functions visible. No medicinal effects or invented claim that the lake is itself planted with tea.

SPECIFIC COMPOSITION: The shallow S connects orchard, boat and clay work through shared contour echoes. Slanted JIANGSU rests above the main bridge. Fine directional marks describe clay tools and wicker selectively, while letter edges, hands and spouts are crisp. No filled blue water ribbon.

TEXT: Main title exactly "JIANGSU". Secondary labels, each once and attached to its correct scene: Dongting Biluochun; Taihu; Yixing; Nanjing; Yangzhou. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.