湖南——大字与多样的茶形

RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

Create an original collectible regional ceramic PRINTING DECAL, not a mug or mockup. The supplied image is a drawing/style benchmark only: replace every reference-region subject and word with the researched region described below. Make a confident, rewarding composition whose tea craft, architecture and landscape belong together.
OUTPUT: PNG RGBA, native 3840 x 1280 px. Keep every mark inside x=60..3780 and y=110..1170; use nearly the whole long strip. The final export is 3840 x 1152 px for 250 x 75 mm. Do not shrink the entire design to a central 16:9 picture. Preserve normal object proportions and complete edge objects.
ALPHA: genuine transparent exterior and natural transparent openings inside the drawing. No white or cream rectangle, paper texture, sky wash, sea fill, provincial silhouette, checkerboard, aura, gradient or drop shadow. Unpainted architecture, water and negative openings reveal alpha. Colour belongs to actual drawn objects, never a vague backdrop. Do not reproduce any opaque field visible in the reference.
For C1–C6, create ONE connected varied panorama with two or three unequal anchors, overlapping near/middle/far scales and smaller discoveries. Connect through real terrain, streets, roofs, branches and human actions, not dotted diagram routes. No two-row sticker sheet, isolated equal scenes, caption boxes, repetitive generic gardens or an empty band under the title. Do not impose a percentage of blank space. C7 instead follows its explicit irregular album direction below.
English lettering only, exact spelling, dark clear capitals for allowed captions. One main regional title. No Chinese characters, logos, invented seals, pseudo-writing, promotional superlatives or health claims. A short legible caption is preferable to microscopic text. Respect the stated distinctions between growing tea, processing it, trading it and serving it. A full research inventory need not become a printed gazetteer.

COLLECTION: A LIVING REGIONAL WORD. Follow the supplied GD22 reference: a monumental original serif region name interlocks with illustrated tea life. Make each letter instantly legible. Roofs tuck under terminals, branches overlap selected edges, people work at letter bases, and regional landforms flow between counters. Crisp decorative pen illustration and selective five-colour accents, never a painting pasted inside letters.
REGION: HUNAN.
PALETTE: #56354C, #CF9233, #637E51, #A35554, #70A1A1. Preserve this regional colour family; first colour supplies the strongest contour/text. Extra dark/light rendering colours and full-colour watercolour are not wanted.
RESEARCHED CONTENT:
Distinguish dark-tea mass and delicate yellow/green tea. Anhua: a team compresses a tall bamboo-wrapped Qianliang tea cylinder, with a plain brick and loose dark leaves nearby. Yiyang: a separate Fuzhuan pressing/sorting table; do not draw literal golden flowers on tea. Junshan/Yueyang: fine upright yellow-tea buds on a tray beside a folded yellowing cloth, with a low island and lake horizon made only of lines. Guzhang Maojian and Baojing Huangjin are distinct western green-tea slopes with tender picking and a pan; Huangjin does not mean yellow-tea processing. Yuanling Jietan occupies another river-valley workbench. Shimen Yinfeng has slender green leaves below the northern hills. Changsha/Jinjing is a garden-to-teahouse link. Hengshan/Nanyue tea grows on southern hills below a modest roof. Rucheng Baimao and Jianghua are separate far-southern large-leaf resources: show a large fuzzy shoot and a picking branch, not a falsely universal processing claim. Eleven territories may share locally plausible macro-scenes; ten supporting captions maximum. Zhangjiajie stone pillars remain scenic context, not proof that tea grows on their sheer rock faces.
AUTHORED COMPOSITION:
Build a monumental five-letter HUNAN with tall elegant serifs. Anhua cylinder stands before the first H without replacing its stem; the U opens to a Junshan tray, N follows a tea carrier’s movement, A frames a small open teahouse, and the last N meets a large southern tea shoot. Low western tea slopes and Shimen terraces rise behind selected letter edges. Yiyang brick pressing, Yuanling sorting and Guzhang/Baojing green-tea shaping occupy the shared lane at the letter feet. A tiny Dongting sail completes the right rhythm. Keep every letter intact and counters open; five crisp inks colour real leaves, tools and buildings, not a scenic painting filling the word.
LETTERING PLAN:
HUNAN once. Captions: ANHUA, YIYANG, JUNSHAN, GUZHANG, BAOJING, YUANLING, SHIMEN, JINJING, HENGSHAN, RUCHENG. Jianghua remains a distinct unlabelled southern shoot episode.
REGIONAL SAFEGUARDS:
Junshan is yellow tea; Baojing Huangjin is a green-tea story despite its name. Qianliang is compressed tea in a bamboo cylinder, not a drum; Fuzhuan fungi are not literal flowers and not universal to every dark tea. Vine tea is a different botanical infusion and is not used as Camellia tea here. No health claims, invented costume, false exact hydrography or tea gardens on sheer rock pillars.
FINAL STANDARD: sharply drawn object edges, deliberate line hierarchy, vivid meaningful local differences and a recognisable whole place. Protect the main title and key silhouettes; never solve complexity by making everything equally tiny.