安徽 — 两个山地茶乡

Create an original collectible regional ceramic PRINTING DECAL, not a mug or mockup. The supplied image is a drawing/style benchmark only: replace every reference-region subject and word with the researched region described below. Make a confident, rewarding composition whose tea craft, architecture and landscape belong together.
OUTPUT: PNG RGBA, native 3840 x 1280 px. Keep every mark inside x=60..3780 and y=110..1170; use nearly the whole long strip. The final export is 3840 x 1152 px for 250 x 75 mm. Do not shrink the entire design to a central 16:9 picture. Preserve normal object proportions and complete edge objects.
ALPHA: genuine transparent exterior and natural transparent openings inside the drawing. No white or cream rectangle, paper texture, sky wash, sea fill, provincial silhouette, checkerboard, aura, gradient or drop shadow. Unpainted architecture, water and negative openings reveal alpha. Colour belongs to actual drawn objects, never a vague backdrop. Do not reproduce any opaque field visible in the reference.
For C1–C6, create ONE connected varied panorama with two or three unequal anchors, overlapping near/middle/far scales and smaller discoveries. Connect through real terrain, streets, roofs, branches and human actions, not dotted diagram routes. No two-row sticker sheet, isolated equal scenes, caption boxes, repetitive generic gardens or an empty band under the title. Do not impose a percentage of blank space. C7 instead follows its explicit irregular album direction below.
English lettering only, exact spelling, dark clear capitals for allowed captions. One main regional title. No Chinese characters, logos, invented seals, pseudo-writing, promotional superlatives or health claims. A short legible caption is preferable to microscopic text. Respect the stated distinctions between growing tea, processing it, trading it and serving it. A full research inventory need not become a printed gazetteer.

COLLECTION: ONE LIVING TEA TERRITORY. Follow GD18: connected editorial tea geography with a broad change in scale. A foreground craft episode leads through connected slopes and settlement contours into far terrain. Use five-colour accents, intentional fine drawing and a strong condensed regional title integrated low in the composition. Never fill an administrative silhouette or make equal garden badges.
REGION: ANHUI.
PALETTE: #263B45, #A65336, #8FA98C, #D6B678, #8FABC0. Preserve this regional colour family; first colour supplies the strongest contour/text. Extra dark/light rendering colours and full-colour watercolour are not wanted.
RESEARCHED CONTENT:
Two tea worlds must remain legible. In the western Dabie hills, Lu'an/Jinzhai Guapian is single-leaf green tea: show a maker lifting a broad bamboo firing basket and a few mature leaves without buds. Nearby Huoshan Huangya is yellow tea, represented by a controlled wrapping/yellowing workbench, not yellow flowers. Yuexi Cuilan and Tongcheng Xiaohua occupy their own modest upland picking slopes. The southern Huangshan landscape carries Fuxi/Maofeng tender shoots and a small hand-sorting tray beneath granite peaks and pines. Houkeng/Taiping Houkui has exceptionally long flat leaves laid in parallel on a pressing screen; no monkey mascot. Qimen is black tea: a maker rolls darker twisted leaves under a Huizhou workshop roof. Xiuning Songluo has a separate green-tea pan and leaf tray. Shitai is a forested tea valley, with no medical or selenium-health symbolism. To the east, Jingxian/Yongxi Huoqing is distinct compact rolled green tea in a shallow sieve; Jixi is a smaller adjacent green-tea hillside. Craft objects should differ visibly, not become eleven copies of a generic basket. Hills, village roofs and an open river bend connect scenes while keeping western and southern tea territories discernible.
AUTHORED COMPOSITION:
Compose the lower western Dabie tea country at left and the sharper southern Huangshan peaks at right. A broad open Yangtze bend provides the connecting foreground, with a modest trading boat near a bank rather than a filled water stripe. The nearest western maker raises a Guapian basket; the nearest eastern maker lays long Houkui leaves onto a screen. Between them a low lane of Qimen, Xiuning and Jingxian workshop roofs makes the panorama continuous. Behind the western craft tuck Huoshan, Yuexi and Tongcheng slopes; Shitai is a wooded southern valley. ANHUI follows the lower edge of the open river with small exact tea captions attached to their working places.
LETTERING PLAN:
Main title ANHUI once. Ten maximum supporting captions: LUAN, HUOSHAN, YUEXI, TONGCHENG, HUANGSHAN, HOUKENG, QIMEN, XIUNING, SHITAI, JINGXIAN. Use clear exact English capitals, no smaller third-level list.
REGIONAL SAFEGUARDS:
Keep Guapian bud-free and Houkui flat and long; Maofeng is a smaller tender shoot. Qimen black tea and Huoshan yellow tea are distinct processes. No monkeys picking Houkui, no health claims, no all-province plantation. Unnamed map bridges/pavilions stay generic local architecture. Huangshan and Dabie have different silhouettes. No claim that every village stands beside the same river.
FINAL STANDARD: sharply drawn object edges, deliberate line hierarchy, vivid meaningful local differences and a recognisable whole place. Protect the main title and key silhouettes; never solve complexity by making everything equally tiny.