Create one exceptional, completely flat regional ceramic-print artwork. This is the actual printable illustration, never a cup, product photograph, mockup, presentation board or simulated ceramic surface. The collection reference controls drawing language only: invent a new composition for the specified region and replace all Guangdong-specific objects. The source map supplies a regional inventory, not a paper texture or a layout to trace literally.

TECHNICAL CONTRACT: native canvas exactly 3840 x 1280 pixels, true RGBA PNG. Keep every visible mark, letter, ornament and antialiased edge inside x=60..3780 and y=110..1170. The final delivery will use a centered 3840 x 1152 export for a 250 x 75 mm wrap; leave the native safety area completely transparent. Compose for a long horizontal physical print, not a conventional poster. Nothing is cut off at either end. All exterior space and meaningful holes between objects must have alpha zero. No painted background, white underpainting, sky rectangle, tinted paper, land silhouette, colour fog, opaque backdrop or checkerboard. The wearer-visible ceramic supplies the unprinted space. Use the specified colours as ink, with normal edge antialiasing; do not invent extra white, black or metallic ink. Never print dimensions, crop marks, palette swatches, filenames, reference names or instructions.

ART DIRECTION: create a memorable hierarchy, a major focal scene and a quieter counterweight; alternate large close forms with medium stories and a few small discoveries. Let tea life interact with the region. Connect selected objects through a real roofline, tabletop, lane, ridge or river contour; retain clear breathing channels so each gesture and vessel is legible. Do not impose any percentage of empty space. Avoid both a cramped rectangular carpet and timid isolated stickers. Use confident, intentional linework that will survive the 75 mm print height. Limit texture to useful material clues. Any water, snow, steam or clouds are sparse outlines with transparent interiors, never washed fills. No photographic gradients, glow, heavy grunge, blurred edges or tiny illegible hatch fields.

FACTUAL DISCIPLINE: the scenes below distinguish cultivation, processing, trade, hospitality and non-tea infusions. Do not turn imported tea, berries, ginseng, barley, trees or grasslands into tea plantations. Do not invent a local tea cultivar, a named historic tea shop, medical effects, a precise trade route or archaeological evidence. Landmarks are cultural/geographic motifs, not assertions that tea was grown or traded at their gates. A contemporary tea pause next to a landmark is an authored scene, not a documentary historical claim. Keep people natural and respectful, with plausible hands and gestures; use no decorative pseudo-script.


C4: INTIMATE DRAWN REGIONAL ATLAS. Use the Guangdong garden-atlas reference as a collector-illustration benchmark: fine lively contours, locally observed architecture, nature, animals and tea. Three inks, selected wood, stone and textile marks; delicate tall serif regional title nestled among roofs or ridges. Two unequal scenic anchors and smaller discoveries share a curved geographic backbone. Draw a believable regional journey, not a dense medieval engraving or a diagram of isolated objects.

REGION: Liaoning. Exact ink palette: #2A527D, #D08A55, #7FA59A. The first colour supplies the main line; the others have deliberate separate roles, not gradients.

AUTHENTIC SUBJECT MATTER:
Use a strong Mukden palace roof silhouette and a low Dalian historic waterfront facade as unequal architectural anchors. Between them introduce the elegant Qianshan pinnacles, a Benxi cave arch with a small boat, a short Dandong broken-truss bridge silhouette and a compact Hushan wall tower. The Panjin Red Beach is represented by a few recognisable branching saltmarsh plants and one crane, not an opaque red field. Add a small C-shaped Hongshan jade-inspired object as an archaeological motif, never a tea vessel, plus a lighthouse, one sailing boat and a sparse forest edge with a deer or tiger. A ginseng root can be one small natural-history detail, not a tea crop or medicinal claim. Keep tea retail and hospitality firmly in the foreground.

Tea anchors that remain visible: a Shenyang tea seller measuring imported leaves, two professional tasting samples, a convivial pot-and-cup table, and a contemporary museum-courtyard or waterfront tea pause.

SPECIFIC COMPOSITION:
An asymmetrical atlas pairs a large palace roof at upper left with the tea-trader counter beneath, and a broad Dalian waterfront building at lower right with a thermos tea pause. Qianshan rocks, a cave boat and a short broken-truss bridge flow between them along an open coastal contour. A crane and branching saltmarsh plants interrupt the low foreground; a small C-shaped jade motif and lighthouse provide two very different vertical or curved accents. Place the title in the natural opening between palace and cliffs. Do not let historic architecture crowd out the visible leaf scoop, serving pot and customer.

VISIBLE TYPE: exact main title "LIAONING" once. The regional title is the only printed text. Do not add small location labels. No Chinese characters, bilingual captions, pseudo-calligraphy, gibberish, slogans, logos or signatures. Prioritize visual storytelling over words. Do not allow letters to merge with foliage or buildings. The design must feel like a collectible regional artwork that a tea professional would want to handle and study.
