# 西藏——景点巡游

西藏 · XZ_C5

自信的轮廓游行：家用器皿、城市茶馆、东南农庄和群山。

## 已发布文件

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi。

已审核可发布 · 已查看图画并对当前文件进行技术检查

[PNG](/assets/artwork/XZ_C5.png) · [精确 TXT](/assets/prompts/XZ_C5.txt) · [浏览器档案](/zh/docs/designs/XZ_C5.html) · [系列背景](/zh/docs/projects/C5.html)。

[区域研究与来源](/zh/docs/research/tibet.md)。

## 审核依据

清晰多彩的地标与茶事巡游，TIBET 字样可读：左侧为酥油茶桶与牦牛，中央为共享的拉萨茶桌，右侧为湿润的东南部采茶与揉捻场景。轮廓、人物、器皿与叶片干净利落；真实透明间隙与完整主剪影。次要植被的绿色扩展了要求的三色墨色，记录为艺术变体而非技术缺陷。

PNG RGBA 3840 × 1152 像素；真实 alpha 通道；按比例导出 250 × 75 毫米。

经审阅后允许用于开放画廊；并不意味着用户认可工业化批量生产。

## 创作方案配色

#24477D

#D6A135

#A34B43

## 原始生成提示词

以下文本与已发布的 TXT 一致。任务中的标注、细节和调色板是作者的设计意图；这不是最终图像的 OCR。使用的参考图像不包含在 TXT 中。

SHA-256 TXT：`5f99f9ff29fcdddcba3aa297f54d9658794824556906584543cbb46b7b9824e9`。

```text
Create a fresh hand-drawn TIBET travel-and-tea illustration, delivered as transparent-background RGBA PNG. This is flat artwork for a ceramic printing decal, no mug or scene behind it. Native 3840 x 1280 pixels; keep all drawing inside x100..3740 and y130..1150 for a later 250 x 75 mm export. Unprinted space has no background pixels. Use only Himalayan blue #24477D, saffron #D6A135 and brick red #A34B43. Borrow the reference's clean line quality, never its region.

The style is a warm illustrated landmark parade: confident medium blue outlines, selective saffron and red flat shapes, simple readable faces, clear hands and beautiful vessel shapes. Linework stays sharp throughout. The single word TIBET appears large above the middle in friendly upright double-contour capitals. No other text.

Build three unequal connected scenes. On the left, a pastoral host operates a tall wooden butter-tea churn while a guest receives a bowl. A complete pack yak with two tea parcels stands beside a small tent. Behind them a compact stepped Potala silhouette and a little stupa introduce Tibetan cultural architecture.

In the centre, two friends chat over a low Lhasa sweet-tea table with a broad metal kettle and three bowls. Their gestures connect the large churn on one side to the fresh leaf basket on the other. The title rises into the open space above this lower table scene.

On the right, the largest foreground figure picks a clearly formed Camellia shoot into a shallow basket. A second person rolls leaves on a bamboo tray beneath a small processing shelter. Three separate low terrace curves, a blossom branch and a forested river gorge evoke the genuine humid southeastern tea districts Yigong/Bomi, Medog and Zayu. Keep these growing scenes distinct from the dry plateau at left. A small angular mountain and two simple lake lines are distant discoveries; no tea gardens on sacred alpine peaks.

Use a few shared ground contours and branches to join the scenes into one lively strip, while leaving spacious openings in water, sky and between objects. The design is colourful and rich through subject and rhythm, not a rectangular painted landscape. All figures and edge objects are complete. No scenic backdrop, paper texture, soft wash, haze, gradients, shadow, frame, extra captions or mockup.
```
