# 台湾——茶艺之岛

台湾 · TW_C7

通过茶具与手工艺展现岛屿：茶盘、炒茶篮、采叶、高山铁路和沿海贸易。

## 已发布文件

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi。

已审核可发布 · C7：重新查看图稿并进行技术检查

[PNG](/assets/artwork/TW_C7.png) · [精确 TXT](/assets/prompts/TW_C7.txt) · [浏览器档案](/zh/docs/designs/TW_C7.html) · [系列背景](/zh/docs/projects/C7.html)。

[C7：绘画方法和风格参考](/zh/docs/C7_METHOD_RU.md)。

[区域研究与来源](/zh/docs/research/taiwan.md)。

## 事实依据与题材选择

在台湾，叶片形态、加工方式和当地景观各不相同。长条揉捻的包种茶、乌龙茶焙笼、东方美人茶的茶小绿叶蝉和一杯红茶，让茶的叙事变得具体。

精简版包括文山、东方美人、梨山、冻顶、日月潭、阿里山、东部和南部茶主题、台北和澎湖。原图明确标注的四个茶区——文山、梨山、冻顶和阿里山——在构思中保留。

台北和大稻埕代表城市与贸易，而非种植。茶行旁的火车是区域组合，并非证明铁路经过某个特定农场。并非大型研究中的所有区域都有单独标记；不承诺覆盖每个村庄和品种。

## 图名与图语

任务中只规定了一个词——TAIWAN，用大号衬线拉丁字母。小地名、中文文本、数字和第三方标志均被排除。这是任务描述；实际可读性另行评估。

## 原始构思的情节清单

以下逐字列出英文作者提示中计划的组别。这是对选题的透明解释，而非承诺生成器复现了每个细节。

1. 坪林 / 文山：大型倾斜浅竹盘，仅盛放六片清晰的长条卷曲包种茶叶。四个短边痕暗示竹材。旁边有两条小茶行曲线，而非填充的风景。

2. ORIENTAL BEAUTY：高挑优雅的茶芽，三片大叶和一个芽。一只清晰可见的小叶蝉停在叶子上。三条叶脉足够。仅给两半叶子上色。没有蜜蜂或蝴蝶。

3. 梨山：两个棱角分明的山形轮廓，小松树剪影和三条宽阔弯曲的茶行位于较低山坡。天空和大部分山体内部透明。岩石山顶上没有茶园。

4. 冻顶：美观的大型圆形烘焙篮，四笔稀疏编织纹，敞口顶部可见五颗圆润的乌龙茶粒。仅杏色边缘；无细小茶叶堆。

5. 日月潭：简化三层塔、两道水纹和盛有杏茶的小敞口杯。无填充湖形、远景或反射雾气。

6. 阿里山：体量感强、亲切的窄轨小火车头，驾驶室、烟囱和三个车轮清晰，一棵柏树和两条低矮的茶行曲线。梅子色轮廓配杏色小火车色块。没有烟雾、密集机械或成排小窗。

7. 东方茶：两只敞口浅盘斜向放置；一只盛有四片修长卷曲的红茶叶，代表Ruisui/Wuhe，另一只盛有四颗圆珠，代表Luye/Taitung.。盘内素净，边缘点缀玉色。不要蜂蜜或糖浆。

8. 南方茶：六龟的阔叶乔木茶枝，旁边是满洲的小型迎风海岸茶灌木和两道海浪笔触。叶脉少，植物剪影清晰，无森林。

9. 台北：可辨识的台北 101 阶梯状轮廓，旁边是一只无字的小型茶叶运输箱。保留标志性的层叠外观；省略成排的细小窗户。茶叶贸易，不是城市种植园。

10. 澎湖：友好的小帆船，三座简单低矮的小岛和两笔短促的开阔水面。没有不透明的海。

## 绘制方法与风格参考

研究了广州、澳门、香港和珠海城市主题的真实旅行杯照片。从中提取了观察到的图案特征：中等生动的手绘轮廓、简单可识别的剪影、选择性平面色彩点缀和顶部带状大标题。具体查看的角度组合因地区而异。

当地场景在尺度、形态和高度上各不相同。它们的并置形成整体节奏；不设定连续全景、统一地平线、相同模块网格或固定留白比例。轮廓之间与内部保持通透。

陶瓷表面、高光、手和照片中的物体背景不属于新绘图。参考图像和个人原始照片不在此发布。每个地区的三种颜色是作者调色板，而非所拍摄茶杯的实测涂料标准。

## 最终文件中对篮子的局部修改

在采用的绘图中发现篮子前壁有一处意外的透明缺口。第二次使用的提示词恢复了杏色壁面和几条竹编线条。这是生成式局部修正，无手工补绘。

服务响应还更改了指定蒙版之外的像素。因此仅从其中转移了修正区域 311 × 221 像素，坐标为 x=2240, y=700，位于原生母版 3840 × 1280 像素上。其余区域保留自已接受版本。记录的差异区域限于此矩形；其外 RGBA 值一致。

公开 TXT 包含两个实际使用的阶段：独立生成已采用的绘图，以及局部修改篮子。被拒绝的独立尝试未纳入最终结果链。

## 审核依据

第二版构图已通过 root 和 Shanghai 审核；篮子边缘的随机透明缺口已通过 AtlasCloud 按蒙版修复。Root 检查了修复后的边缘，并确认编辑区域外的像素未变。TAIWAN 可读，边缘完整，背景透明。

PNG RGBA 3840 × 1152 像素；真实alpha通道；按比例导出为250 × 75 毫米。

已审核可作为附加的 C7 试点展示；不代表用户批准印量。揉捻茶叶的形态有意放大并作示意处理；图示并非精确地图。三色配色描述的是设计意图，而非分色方案：个别水纹线条带有蓝色调。

## 创作方案配色

#513B4F

#8DAC95

#E9B58A

## 原始生成提示词

以下文本与已发布的 TXT 一致。任务中的标注、细节和调色板是作者的设计意图；这不是最终图像的 OCR。使用的参考图像不包含在 TXT 中。

SHA-256 TXT：`95297088203298e1ec06a2c1515b75f30c546964e2e4720dc7a30baf56dbe935`。

```text
# Stage 1 — independent generation; exact prompt

Draw one ORIGINAL TAIWAN souvenir print in the simple hand-drawn language of the supplied Guangzhou and Hong Kong cup photographs: large shapes, medium contours, sparse marks, open interiors and selective flat colour. Create new Taiwan subjects; do not copy cities, logos or compositions. FLAT artwork only, no cup or mockup.

FORMAT: true transparent PNG RGBA, 3840 x 1280 px. Keep all ink inside x=75..3765 and y=110..1170. Removing 64 px above and below will produce 3840 x 1152 px for 250 x 75 mm. Use the broad strip. No paper, ceramic rectangle, frame, lighting or shadows. Open spaces AND unfilled interiors must reveal alpha transparency.

DRAWING: sharp hand-drawn outlines 5–7 px wide at this master size, gently irregular. Describe each object chiefly by its OUTSIDE shape. Literally only 3–5 internal strokes per object: a few basket slats, veins, windows or water lines. Stop there. No hatching, stippling, grain, dense weaving, tiny repeated leaves or fuzzy edges. The reference tram shows the right simplicity. NOT an engraving, watercolour, botanical plate or detailed map.

ONLY THREE INKS: dark plum #513B4F outlines and title; muted jade #8DAC95 and soft apricot #E9B58A selective FLAT accents. Leave most interiors unpainted. Colour only selected roof faces, leaf halves, tea surfaces, train panels or basket rims. Crisp boundaries. No gradients, washes, grey shadows, scenic colour backdrops or halos. No white or cream ink; unfilled means transparent.

ONLY TEXT: TAIWAN, exactly once. Large upright, hand-drawn narrow serif capitals in plum, in an upper-middle opening, about one quarter of the strip width. Simple solid letters. No illustrated letters, small captions, other words, numbers, Chinese characters, logos or pseudo-writing.

TEN UNEQUAL GROUPS form a lively irregular souvenir album. Mix tall, round, slanted and horizontal shapes. Neighbours fit around one another with close, naturally uneven clear intervals. Some sit higher, some lower; the title fills one local opening. No regular grid, equal badges, sticker borders, straight rows or huge empty gaps. No common horizon, river or continuous mountainous panorama.

1. PINGLIN / WENSHAN: large tilted shallow bamboo tray holding just SIX distinct long curled Baozhong leaves. Four short rim marks suggest bamboo. Two small tea-row curves beside it, not a filled landscape.
2. ORIENTAL BEAUTY: tall graceful tea shoot with three large leaves and one bud. One clearly visible little leafhopper rests on a leaf. Three veins suffice. Colour only two leaf halves. No bee or butterfly.
3. LISHAN: two angular mountain outlines, small pine silhouette and THREE broad curved tea rows on lower slopes. Sky and most mountain interiors transparent. No plantation on a rocky summit.
4. DONG DING: handsome big round roasting basket, four sparse weaving strokes, FIVE rounded oolong pellets visible on its open top. Apricot rim only; no heap of tiny leaves.
5. SUN MOON LAKE: simplified three-tier pagoda, two water strokes and small open cup with apricot tea. No filled lake shape, distant background or reflective haze.
6. ALISHAN: substantial friendly short narrow-gauge locomotive with clear cab, chimney and three wheels, one cypress and two low tea-row curves. Plum contours with small apricot train panels. No smoke, dense machinery or rows of tiny windows.
7. EASTERN TEAS: two open dishes diagonally placed; one has FOUR long twisted black-tea leaves for Ruisui/Wuhe, the other FOUR round pellets for Luye/Taitung. Bare interiors, selective jade rims. No honey or syrup.
8. SOUTHERN TEAS: broad-leaved tree-tea branch for Liugui beside a small wind-bent coastal tea shrub for Manzhou and two sea strokes. Few veins, distinct plant silhouettes, no forest.
9. TAIPEI: recognisable Taipei 101 stepped outline beside one small unlettered tea shipping chest. Keep the characteristic stacked exterior; omit rows of minute windows. Tea trade, not an urban plantation.
10. PENGHU: friendly little sailing boat, three simple low islets and two short open water strokes. No opaque sea.

Place names above are instructions ONLY, never printed. The basket, sprig, train and tower should be large and memorable. Others are smaller, never microscopic. Simple travel-cup drawing, open interiors, clean medium lines and two soft accents. Deliver only the transparent print.

# Stage 2 — masked local repair of the basket; exact prompt

Repair ONLY the small masked area on the front wall of the large round roasting basket to the right of centre. The current source has an accidental ragged transparent gap interrupting the apricot basket wall and its dark plum woven slats. Reconstruct that missing basket section: continue the existing soft apricot flat wall smoothly across the gap, continue the few dark plum horizontal and vertical slat lines so the weave is coherent, and preserve the existing curved lower contour. Match adjacent line weight and flat colour exactly. Do not introduce white paint, a patch outline, blur, glow, new leaves or extra decoration. All other pixels, typography TAIWAN, scenes, objects, colours, geometry and composition are to remain unchanged. Preserve the native 3840 x 1280 size and genuine RGBA transparency outside the existing artwork. The supplied alpha mask marks only the repair region. Output the same complete flat artwork with this tiny basket defect repaired; no crop, no new background, no mockup.
```