# 陕西 — 叶与砖

陕西 · SN_C1

该省的主要对比：南部柔嫩的茶叶与北部的茯茶工艺。

## 已发布文件

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi。

已审核可发布 · 已查看图画并对当前文件进行技术检查

[PNG](/assets/artwork/SN_C1.png) · [精确 TXT](/assets/prompts/SN_C1.txt) · [浏览器中的档案](/zh/docs/designs/SN_C1.html) · [系列背景](/zh/docs/projects/C1.html)。

[区域研究与来源](/zh/docs/research/shaanxi.md)。

## 审核依据

SHAANXI 和汉中仙毫、平利、紫阳、商洛、泾阳茯茶清晰可读。大手展示叶片和茶砖，南方种植与泾阳加工分开，阴影线清晰。

PNG RGBA 3840 × 1152 像素；真实 alpha 通道；按比例导出 250 × 75 毫米。

经审阅后允许用于开放画廊；并不意味着用户认可工业化批量生产。

## 创作方案配色

#744432

#C17532

## 原始生成提示词

以下文本与已发布的 TXT 一致。任务中的标注、细节和调色板是作者的设计意图；这不是最终图像的 OCR。使用的参考图像不包含在 TXT 中。

SHA-256 TXT：`6d0f4b7b92fd79365c6c794220ce46a9d61432db56b2045f2543906de81e9795`。

```text
Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C1 — ENGRAVED TEA CONSTELLATION.
Two carefully separated spot inks. Organic engraved contours, selective small hatching and beautiful botanical structure, not grey photographic shading. A major tea subject anchors one side while smaller living stories nest into shared terraces, a riverbank or an architectural contour; these threads connect the illustration without enclosing it. A tall narrow serif regional title occupies a clear deliberate pocket. Vary foreground, middle distance and far silhouettes; avoid uniform line density and isolated circular vignettes.

REGION: SHAANXI. EXACT PALETTE: #744432, #C17532. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

Place a magnificent open pair of tea-worker hands across the low centre: one holds a spray of delicate southern leaves, the other rests beside a clearly compressed Fu tea brick on a wooden bench. Behind the first, Hanzhong tea rows climb the Qinling foothills; behind the second stands a Jingyang brick-processing workshop with open racks. Ziyang riverside tea slopes and Pingli picking form smaller connected discoveries, with Shangluo tea hills at the far side. A clear Han River contour threads the green-tea side; keep brick texture and leaf detail highly distinct.

REGIONAL TRUTH: Shaanxi has real southern tea cultivation in Hanzhong and Ankang: Hanzhong Xianhao, Ziyang teas and Pingli Nuwa tea are established regional identities. Shangluo also has tea production under the Qinling Quanming regional name. Jingyang in the north is a Fu brick-tea processing and trade centre; do not invent a northern Jingyang plantation. Fu tea is compressed dark tea and must appear as textured bricks, separate from loose southern green tea. The Qinling range, Han River and the dry northern loess provide the province's meaningful geographic contrast. Show no medical promises, selenium diagrams or goddess claiming to make tea.

SPECIFIC COMPOSITION: A mountain saddle divides two real tea economies without a hard split-screen. The large branch curves toward the compact brick and creates a gentle visual argument. Tall serif title fits above the low central workbench. Dry northern architecture stays separate from living tea shrubs.

TEXT: Main title exactly "SHAANXI". Secondary labels, each once and attached to its correct scene: Hanzhong Xianhao; Ziyang; Pingli; Shangluo; Jingyang Fu Tea. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.
```