# 江西 — 帆船、山墙与茶碗

江西 · JX_C5

大型图形巡游将茶事与江西陶瓷连接起来。

## 已发布文件

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi。

已审核可发布 · 已查看图画并对当前文件进行技术检查

[PNG](/assets/artwork/JX_C5.png) · [精确 TXT](/assets/prompts/JX_C5.txt) · [浏览器档案](/zh/docs/designs/JX_C5.html) · [系列背景](/zh/docs/projects/C5.html)。

[区域研究与来源](/zh/docs/research/jiangxi.md)。

## 审核依据

纯净的双江西，清晰的平涂色块与明确的茶与陶艺场景。标注可读，物体完整，构图连贯有力，无脏污光晕。

PNG RGBA 3840 × 1152 像素；真实 alpha 通道；按比例导出 250 × 75 毫米。

经审阅后允许用于开放画廊；并不意味着用户认可工业化批量生产。

## 创作方案配色

#2F457B

#B57241

#759383

## 原始生成提示词

以下文本与已发布的 TXT 一致。任务中的标注、细节和调色板是作者的设计意图；这不是最终图像的 OCR。使用的参考图像不包含在 TXT 中。

SHA-256 TXT：`30fec27d748fd63e5d70b2737586568d83b3d70fcf2a61f38da5b7df4b3c314b`。

```text
Create an original collectible regional ceramic PRINTING DECAL, not a mug or mockup. The supplied image is a drawing/style benchmark only: replace every reference-region subject and word with the researched region described below. Make a confident, rewarding composition whose tea craft, architecture and landscape belong together.
OUTPUT: PNG RGBA, native 3840 x 1280 px. Keep every mark inside x=60..3780 and y=110..1170; use nearly the whole long strip. The final export is 3840 x 1152 px for 250 x 75 mm. Do not shrink the entire design to a central 16:9 picture. Preserve normal object proportions and complete edge objects.
ALPHA: genuine transparent exterior and natural transparent openings inside the drawing. No white or cream rectangle, paper texture, sky wash, sea fill, provincial silhouette, checkerboard, aura, gradient or drop shadow. Unpainted architecture, water and negative openings reveal alpha. Colour belongs to actual drawn objects, never a vague backdrop. Do not reproduce any opaque field visible in the reference.
For C1–C6, create ONE connected varied panorama with two or three unequal anchors, overlapping near/middle/far scales and smaller discoveries. Connect through real terrain, streets, roofs, branches and human actions, not dotted diagram routes. No two-row sticker sheet, isolated equal scenes, caption boxes, repetitive generic gardens or an empty band under the title. Do not impose a percentage of blank space. C7 instead follows its explicit irregular album direction below.
English lettering only, exact spelling, dark clear capitals for allowed captions. One main regional title. No Chinese characters, logos, invented seals, pseudo-writing, promotional superlatives or health claims. A short legible caption is preferable to microscopic text. Respect the stated distinctions between growing tea, processing it, trading it and serving it. A full research inventory need not become a printed gazetteer.

COLLECTION: A BOLD REGIONAL PARADE. Follow GD02: confident friendly pen contours, spare flat three-colour accents and large double-contour regional lettering. Build a lively procession of unequal silhouettes, tea activity, architecture and vessels. Let actual terrain and roof rhythms connect the drawings. This should be immediate and memorable, with clear positive and negative shapes, not intricate engraving.
REGION: JIANGXI.
PALETTE: #2F457B, #B57241, #759383. Preserve this regional colour family; first colour supplies the strongest contour/text. Extra dark/light rendering colours and full-colour watercolour are not wanted.
RESEARCHED CONTENT:
Use the long north-south map journey: Poyang Lake and a sailboat, Lushan mountain temple/eave, Wuyuan white houses and tea terraces, Jingdezhen pottery kiln/workshop with unbranded vessels, Shangrao/Wuyi ridges, old stone arch bridges, Gan River lowland and southern Jinggang/Nanling forest villages. Tea anchors are a Wuyuan pan and picker, Fuliang sorting tray, Xiushui Ninghong black-tea rolling, Suichuan tender-leaf work and a pale Zixi sprig. Jingdezhen makes the drinking vessel, not tea; distinguish a potter's wheel and firing kiln from a tea wok/drying table. Nanchang/Jiujiang are trade/serving nodes, not plantations filling the lake. Open wall interiors are alpha, not white ink. The lake pagoda and unnamed bridges are source-map motifs and should not receive invented exact monument names.
AUTHORED COMPOSITION:
Alternate a tall Poyang sail, a low large tea pan, a cluster of three Wuyuan horse-head gables, a broad Jingdezhen cup and a southern tea branch across the strip. A low stone bridge and workshop roofline connect their bases. A Xiushui rolling hand and separate Fuliang sorting tray belong on real tables, with a smaller Lushan ridge behind. Double-contour JIANGXI sits generously above the changing roofline and is touched by one leaf tip. Use three inks, bold friendly contours and few flat accents, not intricate blue-and-white patterns or copied porcelain motifs. The cup is an open vessel silhouette, not a photographic mockup.
LETTERING PLAN:
JIANGXI once; supporting captions only WUYUAN, FULIANG, NINGHONG, JINGDEZHEN, POYANG, SUICHUAN.
REGIONAL SAFEGUARDS:
Zixi Baicha is green tea from pale-leaf material, not the white-tea category. Ninghong is black tea and must have separate rolling craft. Pottery kiln is for ceramic vessels, not tea processing. Gougunao is a place/product name, never dog anatomy. Yunwu is not permission for a printed fog backdrop. No oil-camellia fruits, mythical origin dates or medicinal claims.
FINAL STANDARD: sharply drawn object edges, deliberate line hierarchy, vivid meaningful local differences and a recognisable whole place. Protect the main title and key silhouettes; never solve complexity by making everything equally tiny.
```