# 吉林 — 基于真实茶杯

吉林 · JL_C7

九个大型场景用简单轮廓；人参作为单独植物可见。

## 已发布文件

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi。

已审核可发布 · 已查看图画并对当前文件进行技术检查

[PNG](/assets/artwork/JL_C7.png) · [精确 TXT](/assets/prompts/JL_C7.txt) · [浏览器档案](/zh/docs/designs/JL_C7.html) · [系列背景](/zh/docs/projects/C7.html)。

[C7：绘画方法和风格参考](/zh/docs/C7_METHOD_RU.md)。

[区域研究和来源](/zh/docs/research/jilin.md)。

## 事实依据与题材选择

九个大型场景用简单轮廓；人参作为单独植物可见。

## 图名与图语

任务只要求一个词——JILIN，用大号衬线拉丁字母。小地名、中文、数字和第三方标志均不出现。这是任务描述；实际可读性另行评估。

## 绘制方法与风格参考

研究了广州、澳门、香港和珠海城市主题的真实旅行杯照片。从中提取了观察到的图案特征：中等生动的手绘轮廓、简单可识别的剪影、选择性平面色彩点缀和顶部带状大标题。具体查看的角度组合因地区而异。

当地场景在尺度、形态和高度上各不相同。它们的并置形成整体节奏；不设定连续全景、统一地平线、相同模块网格或固定留白比例。轮廓之间与内部保持通透。

陶瓷表面、高光、手和照片中的物体背景不属于新绘图。参考图像和个人原始照片不在此发布。每个地区的三种颜色是作者调色板，而非所拍摄茶杯的实测涂料标准。

## 审核依据

吉林整体与唯一题字；开放的中部轮廓，独立的大型茶场景、人参、火山口、桥梁和动物。未见底纹/模糊雾气；茶与根茎未被拼合成虚假种植园。

PNG RGBA 3840 × 1152 像素；真实 alpha 通道；按比例导出 250 × 75 毫米。

经审阅后允许用于开放画廊；并不意味着用户认可工业化批量生产。

## 创作方案配色

#254D43

#A44366

#849E6F

## 原始生成提示词

以下文本与已发布的 TXT 一致。任务中的标注、细节和调色板是作者的设计意图；这不是最终图像的 OCR。使用的参考图像不包含在 TXT 中。

SHA-256 TXT：`2b4ef2e743c0f62b3fba00da4bab92117a236e73f34882c61bd31ec16ee9e1aa`。

```text
Create an original flat souvenir-cup decal, not a mug mockup or a photographed product. Follow the approved real-cup outline style with simple shapes and restrained accents. Do not reproduce the source map's parchment, dense relief shading or filled scenery. Native canvas 3840 x 1280 pixels, actual RGBA PNG, with every mark safely inside x60..3780/y110..1170; final centered export is 3840 x 1152 for 250 x 75 mm. Keep all canvas margins alpha zero. No visible frame or printed technical information.

Use confident, slightly human 5–7 px outlines, readable at 75 mm print height. Most object bodies are open alpha-zero interiors: the ceramic itself becomes the unprinted colour. Only small, sharply bounded flat accent patches; no white or cream backing, no sky/ground slab, no brown wash, watercolor, airbrush, photographic texture, dense engraving or crosshatching. Use 3–5 short interior marks for an ordinary vessel or object, a few essential openings for a building. Tea steam is at most one or two open curls. No global ground line connecting every scene.

Arrange 8–10 substantial, unequal episodes in a lively irregular field. Put the largest episode off-center, let a tall narrow object answer it, and fit a few smaller ones into purposeful gaps. Different heights and natural overlaps are welcome, but every episode needs a legible silhouette and a clean breathing channel. No fixed whitespace percentage, no equal two-row sticker grid, no miniatures scattered under an enormous empty heading. Preserve real regional identity through observed objects and explicit tea actions. Never invent tea farms or label herbs as tea leaves. Architecture is a geographic motif; contemporary tea pauses are authored scenes, not historical evidence.


C7: REAL SOUVENIR-CUP PEN DRAWING. Match the approved Xinjiang and Shanghai cup illustrations through warm, assured medium outlines and selective small flat accents. At native size use approximately 5–7 px main strokes and only 3–5 interior strokes per simple object. Larger buildings may have a few more essential windows, never dense hatching. Most enclosed bodies remain transparent. Draw 8–10 unequal, generous subject groups at different heights, with irregular open channels between them. This is neither an evenly spaced icon grid nor a tightly packed panoramic painting. No watercolor, sepia haze, opaque cream objects, stippled shading or engraving.

REGION: Jilin. Palette: #254D43, #A44366, #849E6F. First colour is the main outline; remaining two are small flat accents. No additional inks.

Draw NINE generous uneven episodes: (1) a modern Jilin tea practitioner pouring a gaiwan into two small cups at a simple old-street window, the main human scene; (2) a close tea-tin shelf with scoop and dry-leaf tray, slightly smaller but strongly legible; (3) Tianchi as an open crater ellipse inside three spare Changbai peaks, no filled blue lake; (4) a traveller and tea thermos beneath one pine beside a compact timber shelter; (5) a ginseng root, a root-slice plate and a separate herbal glass next to a very small shade frame, unmistakably a different plant from tea; (6) a low Yanji courtyard roof group with one flowering branch; (7) a Songhua stone bridge with three open water strokes; (8) one elegant deer beside two pines; (9) two flying cranes above a plain farmhouse and one distant horse. Keep the gaiwan scene and crater unequal but prominent. Arrange medium scenes in natural gaps, not matching stamp slots. Main pine-green outlines, small berry-coloured blossoms and cup details, muted green accents on a few leaves only. The ginseng bed must have broad ground leaves and root details, never rows of tea shrubs. All visible tea drinking is contemporary authored hospitality, not a fabricated regional antiquity.

PRINTED TEXT: exactly "JILIN" once, near the upper composition, in warm hand-drawn block-serif capitals. This is the only visible text: no place names, subheadings, numbers, Chinese, labels, logos or signatures. Keep the word readable and scaled to the drawing, not an oversized empty banner. Preserve the anatomy and silhouette of local animals and vessels; do not repeat or multiply episodes to fill gaps. Deliver the drawing itself on genuine transparency.
```