# 湖南 — 湖南十物

湖南 · HN_C7

不同茶形与风景的大型简洁旅游绘画。

## 已发布文件

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi。

已审核可发布 · 已查看图画并对当前文件进行技术检查

[PNG](/assets/artwork/HN_C7.png) · [精确TXT](/assets/prompts/HN_C7.txt) · [浏览器中的档案](/zh/docs/designs/HN_C7.html) · [系列背景](/zh/docs/projects/C7.html)。

[C7：绘画方法和风格参考](/zh/docs/C7_METHOD_RU.md)。

[区域研究与来源](/zh/docs/research/hunan.md)。

## 事实依据与题材选择

不同茶形与风景的大型简洁旅游绘画。

## 图名与图语

任务中只规定了一个词——HUNAN，用大号衬线拉丁字母。小地名、中文文本、数字和第三方标志均被排除。这是任务描述；实际可读性另行评估。

## 原始构思的情节清单

以下逐字列出英文作者提示中计划的组别。这是对选题的透明解释，而非承诺生成器复现了每个细节。

1. 左侧一位壮实的安化制茶师正在为一根高大的千两茶柱收紧竹篾。画出完整茶柱、清晰的编织外壳、捆扎带与有力的双手。这是紧压茶包装，而非乐器鼓。

2. 一块低矮的益阳茯砖茶，旁边一只手放下一块碎茶。切面呈现几片清晰的叶碎。不要写实花朵、碎屑或密集微纹理。

3. 一个宽而浅的竹盘，整齐地放着一小把细长的君山银针茶芽，旁边是一个小茶杯。细长的单个茶芽必须是清晰的剪影，而不是模糊的草叶。赭石色要少用；盘沿是干净的双线。

4. 一位背着背篓的古丈采茶人伸手探入两丛轮廓清晰的茶树。可见的手正在采摘嫩芽；面部保持简洁、可读且完全着墨。

5. 两座细长醒目的张家界砂岩柱矗立在右侧，柱顶有几棵小松树。表现棱角分明的垂直岩纹和开阔的内部空间，不做大气透视阴影。

6. 湘西木楼立于清晰可见的高脚柱上，出挑瓦顶，短木栈桥相连。柱、栏、顶均以完整笔触绘制；无结构融化。

7. 君山岛上的一座小亭子旁，停着一艘洞庭湖上的帆船。用三条刻意弯曲的水纹笔触将它们连接起来，让湖面保持通透。

8. 一个更大的植物学汝城茶芽，宽阔的叶子为高筒提供了大胆的近景对比。清晰的中脉、少量锯齿和稀疏的边缘标记暗示细小的叶毛，而不显得模糊。

## 绘制方法与风格参考

研究了广州、澳门、香港和珠海城市主题的真实旅行杯照片。从中提取了观察到的图案特征：中等生动的手绘轮廓、简单可识别的剪影、选择性平面色彩点缀和顶部带状大标题。具体查看的角度组合因地区而异。

当地场景在尺度、形态和高度上各不相同。它们的并置形成整体节奏；不设定连续全景、统一地平线、相同模块网格或固定留白比例。轮廓之间与内部保持通透。

陶瓷表面、高光、手和照片中的物体背景不属于新绘图。参考图像和个人原始照片不在此发布。每个地区的三种颜色是作者调色板，而非所拍摄茶杯的实测涂料标准。

## 审核依据

新的大场景版本干净清晰：HUNAN 完整，茶柱、茶砖、茶叶、采摘与地方建筑均可辨认。自信的中等轮廓与平涂三色，无先前的浑浊。

PNG RGBA 3840 × 1152 像素；真实 alpha 通道；按比例导出 250 × 75 毫米。

经审阅后允许用于开放画廊；并不意味着用户认可工业化批量生产。

## 创作方案配色

#56354C

#CF9233

#637E51

## 原始生成提示词

以下文本与已发布的 TXT 一致。任务中的标注、细节和调色板是作者的设计意图；这不是最终图像的 OCR。使用的参考图像不包含在 TXT 中。

SHA-256 TXT：`9a55f8f12aa20b3ed4a2bb221fd0e94ed20abbd6d4a7dfed5c5773bd10c43c50`。

```text
RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

Draw a collectible HUNAN tourist-cup transfer. Follow the reference's confident pen contours and selective flat colour. Invent a Hunan composition: tall tea cylinders echo stone pillars, while a wide tray of delicate buds opens space between them. Tea craft and local architecture are the story.

Deliver one 3840 x 1280 PNG with genuine RGBA transparency. All marks stay inside x60..3780 and y110..1170 for a 250 x 75 mm wrap. No mockup, paper, frame or backdrop. Unpainted spaces remain transparent, never white paint. Use plum #56354C outlines, ochre #CF9233 and olive #637E51 limited solid fills. No gradients or extra colours.

Write only HUNAN, once, in large upright serif capitals across the upper middle. Make every letter complete and clearly separated. No other writing, place labels, Chinese, numbers, logos or tiny marks resembling text.

Build eight large, different episodes in an irregular, lively rhythm:
1. A substantial Anhua tea maker tightening bamboo binding around one tall Qianliang tea cylinder at the left. Draw the entire cylinder, a clear woven casing, binding bands and purposeful hands. This is compressed tea packaging, not a musical drum.
2. A low Yiyang Fuzhuan tea brick and a hand setting a broken piece beside it. Give the cut face a few distinct leaf fragments. No literal flowers, crumbs or dense microtexture.
3. A broad shallow bamboo tray with an orderly handful of slender Junshan Yinzhen tea buds, beside a small drinking cup. The long individual buds must be crisp silhouettes, not blurred grass. Use ochre sparingly; the tray rim is a clean double line.
4. A Guzhang tea picker with a back basket reaches into two clearly outlined Camellia bushes. The visible hand plucks a tender shoot; keep the face simple, readable and fully inked.
5. Two unmistakable slender Zhangjiajie sandstone pillars with a few small pines crown the right side. Show angular vertical rock lines and open interiors, without atmospheric shading.
6. A western Hunan wooden house on tall visible stilts, with a projecting tiled roof and a short timber footbridge. Draw posts, rail and roof as purposeful complete pen strokes; no melting structure.
7. A small pavilion on Junshan island sits beside a single Dongting sailing boat. Connect them with three deliberate curved water strokes, leaving the lake transparent.
8. A larger botanical Rucheng tea shoot with broad leaves provides a bold near-view counterpoint to the tall cylinder. Distinct midribs, a few teeth and sparse edge marks suggest fine leaf hairs without fuzz.

Make the cylinder and tray the main anchors. The wooden gallery joins smaller episodes; pillars and branch balance opposite ends. Vary scale and height, allow purposeful overlaps and keep breathing spaces. No equal rows, boxed icons or filler scenery.

Use steady medium-width pen contours and clean hard-edged patches, with few interior strokes. Everything must read sharply at print scale. No watercolour, blur, smudges, feathering, low-opacity ghosts, mist, sky, smoke, shadows, grain or engraving. Preserve complete hands, roofs, baskets and letters within the safe area.
```