# 海南 — 岛屋檐下的茶

海南 · HI_C4

两种屋顶形式连接城市与热带高地。

## 已发布文件

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi。

已审核可发布 · 已查看图画并对当前文件进行技术检查

[PNG](/assets/artwork/HI_C4.png) · [精确 TXT](/assets/prompts/HI_C4.txt) · [浏览器档案](/zh/docs/designs/HI_C4.html) · [系列背景](/zh/docs/projects/C4.html)。

[区域研究与来源](/zh/docs/research/hainan.md)。

## 审核依据

已审阅新版海南 C4：清晰的细部建筑、大型茶芽、采摘/加工/干燥、山与海岸；人物、茶篮和屋顶都清楚。标题完整，区域色板与真实的通透留白得到保留；此前的浑浊已消除。

PNG RGBA 3840 × 1152 像素；真实 alpha 通道；按比例导出 250 × 75 毫米。

经审阅后允许用于开放画廊；并不意味着用户认可工业化批量生产。

## 创作方案配色

#075B70

#C54D68

#61A477

## 原始生成提示词

以下文本与已发布的 TXT 一致。任务中的标注、细节和调色板是作者的设计意图；这不是最终图像的 OCR。使用的参考图像不包含在 TXT 中。

SHA-256 TXT：`e489d8a4d4cf099e61062e03ce73e541a343682bfea9e3cbe0c1d909544fc568`。

```text
Create a new exceptional flat ceramic decal illustration. The supplied image is a reference for clear professional print drawing only; do not reuse its region, architecture, lettering or palette. This output is the artwork itself, never a mug or photograph. Native 3840 x 1280 RGBA PNG with transparent background. All complete drawn objects and all lettering must remain within x=100..3740 and y=120..1160. The final transparent canvas is 3840 x 1152 pixels at 250 x 75 mm. Use the width generously and keep normal proportions.

PRINT LANGUAGE: The image must look newly drawn with deliberate sharp graphic strokes, not like an aged or blurry reproduction. Clean edges, legible silhouettes, selective controlled internal marks. No soft brush, watercolor, noisy scanning, halftone fog, faded double contours or dirty pale halo. Antialias edges normally but keep the body of each ink stroke opaque. Empty areas between and inside forms have genuine alpha zero. No white painted background, cream paper, filled sky, solid sea panel, frame, shadow or simulated ceramic. All colour must belong to an identifiable object. Separate the near, middle and far forms by line weight and scale, not translucent mist.

REGION TITLE: HAINAN. PALETTE: deep sea teal #075B70, coral #C54D68, leaf green #61A477. Detailed three-colour hand-engraved regional atlas: fine decisive line, limited short hatching, readable close objects and architecture, not a dense painted texture.

A large tropical tea branch with exactly one bud and two full leaves rises near the left centre, behind a woman gently collecting leaf into a woven basket. At the far left, an arcaded Haikou street turns toward a shaded two-person tea table; draw its open arches clearly and only a few storefront bays. The lower middle is a Baisha tea workshop with one broad tea tray and a worker rolling leaf; tea rows behind it ascend toward the recognisable five rising peaks of Wuzhishan. At the right middle, a steeply thatched boat-shaped Li house and a small Shuiman tea garden share a winding footpath. Finish the far right with two palms, three rounded Sanya coastal rocks and one distant red sail, with water indicated by separated precise lines. A large upright serif HAINAN sits above the central branch-to-mountain opening. Scale the branch, collector and Haikou arches large; the distant coast is smaller. Architecture, leaf veins and basket weave have distinct clean stroke rhythms. The mountain ridge and footpath connect the picture without becoming a solid background.

FACTS: Baisha and Wuzhishan/Shuiman are tea-growing contexts; Haikou is a city and serving/trading context. Beach rocks and palms are travel motifs and must not grow tea plantations. Show real Camellia sinensis leaves, not coconut fronds as tea leaves. Local clothing is an illustrative cultural cue, not an asserted documentary costume reconstruction.

PRINTED WORDS: only the large region title specified above, exactly once. No small place labels, subtitles, extra names, Chinese writing, numbers, logos, seals, captions or pseudo-text anywhere. Buildings and vessels have no writing. The places described are the content of the drawing, not extra labels to print.

Compose a memorable cohesive regional story with unequal anchors, connected local routes and a few clear transparent pauses. Do not create a grid, isolated framed stickers, two neat rows, or a repeating procession of identical teapots. Keep roofs, vessels, people, trees, hands and all letters complete, without any crop at an image border. Hands should be few, simple and anatomically clear; each vessel has one coherent rim. Finish as clean original artwork suitable for close inspection on high-quality pale ceramic. Preserve the required regional palette and genuine transparency; do not reproduce the white viewing surface of the style reference.
```