# 湖北——湖北十物

湖北 · HB_C7

蒸茶、茶砖、桥与船，以简洁开放的线条呈现。

## 已发布文件

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi。

已审核可发布 · 已查看图画并对当前文件进行技术检查

[PNG](/assets/artwork/HB_C7.png) · [精确 TXT](/assets/prompts/HB_C7.txt) · [浏览器档案](/zh/docs/designs/HB_C7.html) · [系列背景](/zh/docs/projects/C7.html)。

[C7：绘画方法和风格参考](/zh/docs/C7_METHOD_RU.md)。

[区域研究与资料来源](/zh/docs/research/hubei.md)。

## 事实依据与题材选择

蒸茶、茶砖、桥与船，以简洁开放的线条呈现。

## 图名与图语

任务中只规定了一个词——HUBEI，用大号衬线拉丁字母。小地名、中文文本、数字和第三方标志被排除。这是任务描述；实际可读性另行评估。

## 绘制方法与风格参考

研究了广州、澳门、香港和珠海城市主题的真实旅行杯照片。从中提取了观察到的图案特征：中等生动的手绘轮廓、简单可识别的剪影、选择性平面色彩点缀和顶部带状大标题。具体查看的角度组合因地区而异。

当地场景在尺度、形态和高度上各不相同。它们的并置形成整体节奏；不设定连续全景、统一地平线、相同模块网格或固定留白比例。轮廓之间与内部保持通透。

陶瓷表面、高光、手和照片中的物体背景不属于新绘图。参考图像和个人原始照片不在此发布。每个地区的三种颜色是作者调色板，而非所拍摄茶杯的实测涂料标准。

## 审核依据

新版本干净：完整 HUBEI，清晰的中部轮廓，简洁的平涂色彩。蒸笼、压制、采摘、房屋和水景均可辨认；先前的细节散乱已消除。

PNG RGBA 3840 × 1152 像素；真实 alpha 通道；按比例导出 250 × 75 毫米。

经审阅后允许用于开放画廊；并不意味着用户认可工业化批量生产。

## 创作方案配色

#194C58

#AE3944

#80A58B

## 原始生成提示词

以下文本与已发布的 TXT 一致。任务中的标注、细节和调色板是作者的设计意图；这不是最终图像的 OCR。使用的参考图像不包含在 TXT 中。

SHA-256 TXT：`a114f4df758d99a487252d12dddb756aa9b06e2fa60c14215e2330bbe08c559c`。

```text
RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

Create one original flat souvenir print, not a mug or mockup. Use the supplied successful C7 cup-illustration reference for scale and hand, not its subjects. PNG RGBA, 3840 x 1280 px, artwork inside x=60..3780 and y=110..1170; final print 3840 x 1152 px, 250 x 75 mm. Genuine transparent background and unfilled interiors. No white or cream panel, paper, shadow, fuzzy wash, gradient, background horizon or photographic ceramic. Crisp selective flat accents on actual objects, many open interiors. A broad organic arrangement across the strip, not a small central picture.
A SIMPLE HAND-DRAWN SOUVENIR ALBUM. Follow the supplied successful C7 reference for generous object scale, medium clean contours and selective flat colour. Use 5–7 px principal outlines at this master size, gently irregular; only 3–5 internal explanatory strokes per object. No dense weaving, tiny leaf carpets, stippling, crosshatching or painterly haze. Eight to ten unequal large groups fit around one another in a lively informal order, with open interiors. No badges, frames, equal grid or monumental continuous scenery. Only the large English region name is printed, once; no small captions.
REGION TITLE: HUBEI. Only this text, exactly once. Large friendly upright hand-lettered capitals in a local opening, not a full-width banner.
PALETTE: #194C58, #AE3944, #80A58B. First colour is the contour/title; the other two are selective flat accents, with no extra colour or white ink.
ORIGINAL COMPOSITION:
TEN generous unequal groups in a lively irregular album. One: an Enshi maker lifting the shallow steam-tray lid, with just two thin steam strokes and no mist cloud. Two: a small board holding seven long fine tea needles, arranged loosely rather than as microscopic texture. Three: a Chibi hand press and one plain dark-tea brick with no wrapper text. Four: a black-tea rolling hand and five curled leaves on a broad tray. Five: a Wufeng tea picker with one basket and three low terrace curves. Six: one small timber stilt-house with an open door and four posts, avoiding dense decorative carving. Seven: a Wudang temple roof resting on two angular mountain steps. Eight: a tall Wuhan tower silhouette with a few broad roof tiers, distinctly larger than the distant temple. Nine: a stone arch bridge with three joints and one little boat beside it, all water transparent. Ten: a pair of Honghu lotus leaves and one flower, clearly a wetland travel accent rather than tea ingredients. Place HUBEI once in large upright friendly lettering within a local upper opening, between the steam-tray lid and tower. Vary heights and sizes; tea tools, needle board and maker are primary, lotus and distant roof secondary. The picker may tuck behind a house corner and the boat under a bridge sweep, but no global scenic horizon or equally boxed icons. Principal outlines are 5–7 px with only three to five internal explanatory marks per object. Colour selected leaf halves, roof sides and tool patches only; leave most interior surfaces open alpha. No dense basket weave, tiny trees, hundred-leaf carpets, shadows, white panel, paper texture, glow or watercolour. Keep each tea process visually distinct and every edge object whole. No small place names, Chinese characters, seals or extra slogans.
REGIONAL FACTS AND LIMITS:
Enshi steam tray and needle leaves, Chibi dark-tea brick press, Wufeng picking and Yidu/Lichuan black-tea rolling are distinct. Wudang temple, western gorge boat, Wuhan tower, stone bridge and lotus are source-map regional motifs. Lotus is wetland scenery, not an automatic ingredient. Qingzhuan is dark tea despite its colour-name; Enshi is not advertised as the only steamed tea. Use real Camellia leaf forms and no medicinal claims. The album is a selected visual journey rather than a full geographic inventory rendered literally.
FINISH: memorable large silhouettes, simple confident outside contours, few internal marks, restrained colour. Keep all required objects whole and all lettering readable. Do not fill trays with hundreds of miniature leaves. No small captions, numbers, signatures, logos, Chinese text or repeated extra words. Flat transparent artwork only.
```