# 湖北 — 茶叶贸易的两岸

湖北 · HB_C4

山地工坊与河畔商院由桥和船相连。

## 已发布文件

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi。

已审核可发布 · 已查看图画并对当前文件进行技术检查

[PNG](/assets/artwork/HB_C4.png) · [精确 TXT](/assets/prompts/HB_C4.txt) · [浏览器档案](/zh/docs/designs/HB_C4.html) · [系列背景](/zh/docs/projects/C4.html)。

[区域研究与资料来源](/zh/docs/research/hubei.md)。

## 审核依据

清晰的HUBEI和易读的标注，自信的工坊、茶叶贸易和河桥细节图形。人物和物体不模糊，大文字未被裁剪。

PNG RGBA 3840 × 1152 像素；真实 alpha 通道；按比例导出 250 × 75 毫米。

经审阅后允许用于开放画廊；并不意味着用户认可工业化批量生产。

## 创作方案配色

#194C58

#AE3944

#80A58B

## 原始生成提示词

以下文本与已发布的 TXT 一致。任务中的标注、细节和调色板是作者的设计意图；这不是最终图像的 OCR。使用的参考图像不包含在 TXT 中。

SHA-256 TXT：`585264e05be0d11375571c3dbc4f368ee40af0ee280ef4d2f09cafc47276214f`。

```text
RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

Create an original collectible regional ceramic PRINTING DECAL, not a mug or mockup. The supplied image is a drawing/style benchmark only: replace every reference-region subject and word with the researched region described below. Make a confident, rewarding composition whose tea craft, architecture and landscape belong together.
OUTPUT: PNG RGBA, native 3840 x 1280 px. Keep every mark inside x=60..3780 and y=110..1170; use nearly the whole long strip. The final export is 3840 x 1152 px for 250 x 75 mm. Do not shrink the entire design to a central 16:9 picture. Preserve normal object proportions and complete edge objects.
ALPHA: genuine transparent exterior and natural transparent openings inside the drawing. No white or cream rectangle, paper texture, sky wash, sea fill, provincial silhouette, checkerboard, aura, gradient or drop shadow. Unpainted architecture, water and negative openings reveal alpha. Colour belongs to actual drawn objects, never a vague backdrop. Do not reproduce any opaque field visible in the reference.
For C1–C6, create ONE connected varied panorama with two or three unequal anchors, overlapping near/middle/far scales and smaller discoveries. Connect through real terrain, streets, roofs, branches and human actions, not dotted diagram routes. No two-row sticker sheet, isolated equal scenes, caption boxes, repetitive generic gardens or an empty band under the title. Do not impose a percentage of blank space. C7 instead follows its explicit irregular album direction below.
English lettering only, exact spelling, dark clear capitals for allowed captions. One main regional title. No Chinese characters, logos, invented seals, pseudo-writing, promotional superlatives or health claims. A short legible caption is preferable to microscopic text. Respect the stated distinctions between growing tea, processing it, trading it and serving it. A full research inventory need not become a printed gazetteer.

COLLECTION: AN INTIMATE HAND-DRAWN ATLAS. Follow GD01: richly observed buildings, objects, plants and lived tea culture, in three inks. Draw disciplined collector engraving with beautiful changes of scale. A curved scenic backbone links two unequal hero stories; smaller details share the terrain. An elegant serif title belongs among roofs or ridges. No independent encyclopaedia panels.
REGION: HUBEI.
PALETTE: #194C58, #AE3944, #80A58B. Preserve this regional colour family; first colour supplies the strongest contour/text. Extra dark/light rendering colours and full-colour watercolour are not wanted.
RESEARCHED CONTENT:
Keep the source map's western gorge cliffs and junk, high Wudang temple silhouette, Shennongjia/Daba forest ridges, southwest Enshi/Wufeng tea terraces and timber stilt-house eaves, a broad Yangtze passage with distinct Han tributary, Wuhan tower silhouette, an old stone arch bridge, lake boats and a few Honghu lotus stems. Tea anchors: Enshi steaming and needle shaping, Lichuan/Yidu black-tea rolling, Chibi brick press, Wufeng picker and a Wuhan trading table. The river/port story is trade, not tea cultivation. Use the map's tower as a recognisable regional silhouette without inventing additional ornate buildings everywhere. Lotus stays a wetland plant, not an ingredient mixed into every tea. Transparent water is defined by edges and a few lines, not a blue printed sea.
AUTHORED COMPOSITION:
An Enshi timber veranda with steaming tray occupies the close left bank, and a Wuhan/Hankou-style trade counter with plain tea packages occupies the lower right. A large stone arch bridge crosses the visual foreground interval, with a boat passing through open alpha water. Behind left, western gorge walls and a small Wufeng slope rise; behind right, the Wuhan tower silhouette and two lotus stems punctuate the lake plain. A distant Wudang roof is much smaller and separate from the city tower. Chibi brick pressing and Yidu rolling occupy the inhabited lane between the major anchors. Three-ink engraving is precise on hands and structural edges, restrained on far foliage.
LETTERING PLAN:
HUBEI once; supporting captions only ENSHI, WUFENG, YIDU, CHIBI, WUDANG, WUHAN.
REGIONAL SAFEGUARDS:
Enshi Yulu uses steam fixation; do not replace it with a roast-only story or call it the only steamed tea. Qingzhuan is dark tea, not green tea. Lichuan/Yidu black tea and Yuan’an yellow tea remain distinct. Lotus and medicinal herbs are not substituted for Camellia. No selenium-health claims, invented monastic rituals, or plantations across Wuhan/Honghu lake water.
FINAL STANDARD: sharply drawn object edges, deliberate line hierarchy, vivid meaningful local differences and a recognisable whole place. Protect the main title and key silhouettes; never solve complexity by making everything equally tiny.
```