# 广西 — 广西十物

广西 · GX_C7

开放线条与大型茶形：茶篮、茉莉花、大叶。

## 已发布文件

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi。

已审核可发布 · 已查看图画并对当前文件进行技术检查

[PNG](/assets/artwork/GX_C7.png) · [精确 TXT](/assets/prompts/GX_C7.txt) · [浏览器档案](/zh/docs/designs/GX_C7.html) · [系列背景](/zh/docs/projects/C7.html)。

[C7：绘画方法和风格参考](/zh/docs/C7_METHOD_RU.md)。

[区域研究与资料来源](/zh/docs/research/guangxi.md)。

## 事实依据与题材选择

开放线条与大型茶形：茶篮、茉莉花、大叶。

## 图名与图语

任务中仅规定一个词 — GUANGXI，用大号衬线拉丁字母。小地名、中文文本、数字和第三方标志均被排除。这是任务描述；实际可读性另行评估。

## 原始构思的情节清单

以下逐字列出英文作者提示中计划的组别。这是对选题的透明解释，而非承诺生成器复现了每个细节。

1. 一个大型六堡竹编储存篮位于中下方。一只清晰绘制的手揭开其圆形盖子，露出卷曲的深色茶叶。展示完整的篮口、简洁的编织带和稳固的底部。篮子以线条绘制，而非阴影：没有粉笔状斑块或模糊的棕褐色水洗。

2. 左侧，一位横州茶工在宽大的圆形竹盘上轻柔地翻拌清晰可辨的小茉莉花与真正的茶叶。花朵与叶片须区分清楚，手部、衣袖、面容与盘沿绘制干净。这是窨制茶叶，而非仅一碗装饰性花朵。

3. 一片阔叶凌云茶芽在工人身旁升起，作为强烈的近景点缀。每片叶子都有清晰的中脉、少量锯齿和稀疏的边缘标记；没有模糊的植物纹理。

4. 一名背着茶篓的三江采茶人伸手探入两排弯曲的茶树丛。使用大叶簇和清晰可辨的采摘手部。整个人物保持在画面内。

5. 桂北的一座有顶木桥和相邻的一座层叠木塔构成一个建筑群。清晰的柱子、栏杆和屋顶边缘；开口保持透明。

6. 三座圆润的喀斯特山峰耸立于小竹筏之上，筏上立着船夫。用几道弯曲的岩石轮廓和三条平静的水纹。河流与山体内部保持大面积留白。

7. 一艘梧州内河帆船，两面赭色帆，载着几个可见的茶篮。船体、索具与货物保持简洁、完整且清晰分离。

8. 一座小型海滨灯塔和一棵倾斜的棕榈树在另一端形成最后的紧凑点缀。灯塔是区域旅行主题；不要添加虚构的名称或题字。

## 绘制方法与风格参考

研究了广州、澳门、香港和珠海城市主题的真实旅行杯照片。从中提取了观察到的图案特征：中等生动的手绘轮廓、简单可识别的剪影、选择性平面色彩点缀和顶部带状大标题。具体查看的角度组合因地区而异。

当地场景在尺度、形态和高度上各不相同。它们的并置形成整体节奏；不设定连续全景、统一地平线、相同模块网格或固定留白比例。轮廓之间与内部保持通透。

陶瓷表面、高光、手和照片中的物体背景不属于新绘图。参考图像和个人原始照片不在此发布。每个地区的三种颜色是作者调色板，而非所拍摄茶杯的实测涂料标准。

## 审核依据

新版本修正了之前脏污的填色：完整的GUANGXI，清晰的六堡茶篮、茉莉花窨制、采摘及地方图案轮廓。均匀的平涂色，清晰的手部与建筑，无明显缺陷。

PNG RGBA 3840 × 1152 像素；真实 alpha 通道；按比例导出 250 × 75 毫米。

经审阅后允许用于开放画廊；并不意味着用户认可工业化批量生产。

## 创作方案配色

#423D65

#A17A28

#538A72

## 原始生成提示词

以下文本与已发布的 TXT 一致。任务中的标注、细节和调色板是作者的设计意图；这不是最终图像的 OCR。使用的参考图像不包含在 TXT 中。

SHA-256 TXT：`b9166e34bd8c3a1683b4ca5c15a2363ca7d4e640f837a9e03f2d44278e459626`。

```text
RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

Draw a collectible GUANGXI tourist-cup transfer with confident medium pen contours and restrained flat colour, following the reference's souvenir language. Eight substantial episodes reveal tea baskets, jasmine, broad leaves, wooden bridges, karst and river craft.

Deliver one 3840 x 1280 PNG with true RGBA transparency. Keep all marks inside x60..3780 and y110..1170 for a 250 x 75 mm wrap. No mockup, border, paper or backdrop. Unpainted spaces stay transparent, never white. Use indigo #423D65 contours, ochre #A17A28 and jade #538A72 selective solid fills. No gradients or extra colours.

The only text is GUANGXI, once, large upright serif capitals across the upper middle. Keep the whole word complete and unobstructed. No location labels, Chinese, numbers, logos, signatures or decorative pseudo-writing.

Arrange these eight clearly differentiated episodes in a varied, unboxed rhythm:
1. A large Liubao bamboo storage basket anchors the lower middle. One clearly drawn hand lifts its round lid, revealing curled dark tea leaves. Show a complete rim, simple woven bands and a firm base. The basket is drawn, not shaded: no chalky patch or blurred tan wash.
2. At left, a Hengzhou tea worker gently mixes recognisable small jasmine flowers with real tea leaves on a wide round bamboo tray. Distinguish flowers from leaves, and draw the hands, sleeves, face and tray edge cleanly. This is scenting tea, not a bowl of decorative blossoms alone.
3. A broad-leaved Lingyun tea shoot rises beside the worker as a strong near-view accent. Give each leaf a clear midrib, a few teeth and sparse edge marks; no fuzzy botanical texture.
4. A Sanjiang picker with a carrying basket reaches into two curved rows of tea bushes. Use large leaf clusters and an intelligible plucking hand. Keep the entire figure inside the scene.
5. A northern Guangxi covered timber bridge and one neighbouring tiered wooden tower form a single architectural group. Clear posts, railings and roof edges; leave the openings transparent.
6. Three rounded karst peaks rise above a small bamboo raft with a standing boatman. Use a few curved rock contours and three calm water lines. The river and mountain interiors remain largely open.
7. A Wuzhou river junk with two ochre sails carries a few visible tea baskets. Keep the hull, rigging and cargo simple, complete and cleanly separated.
8. A small coastal lighthouse and one leaning palm provide the final compact accent at the opposite end. The lighthouse is a regional travel motif; do not add an invented name or inscription.

Contrast the big basket, broad tray and tall shoot. Weave architecture and boats between them at varied heights. Allow natural overlaps but keep breathing spaces and complete silhouettes. No equal rows, same-size stickers or filler objects.

Use steady medium strokes, flat hard-edged patches and few interior lines. No dense hatching, watercolour, grain, shadows, mist, blur, smudges, ghost lines, feathering or low-opacity paint. Keep faces and fingers simple but intentional. All letters and objects stay inside the safe area.
```