Yunnan — Десять вещей Юньнани

Create one original flat souvenir print, not a mug or mockup. Use the supplied successful C7 cup-illustration reference for scale and hand, not its subjects. PNG RGBA, 3840 x 1280 px, artwork inside x=60..3780 and y=110..1170; final print 3840 x 1152 px, 250 x 75 mm. Genuine transparent background and unfilled interiors. No white or cream panel, paper, shadow, fuzzy wash, gradient, background horizon or photographic ceramic. Crisp selective flat accents on actual objects, many open interiors. A broad organic arrangement across the strip, not a small central picture.
A SIMPLE HAND-DRAWN SOUVENIR ALBUM. Follow the supplied successful C7 reference for generous object scale, medium clean contours and selective flat colour. Use 5–7 px principal outlines at this master size, gently irregular; only 3–5 internal explanatory strokes per object. No dense weaving, tiny leaf carpets, stippling, crosshatching or painterly haze. Eight to ten unequal large groups fit around one another in a lively informal order, with open interiors. No badges, frames, equal grid or monumental continuous scenery. Only the large English region name is printed, once; no small captions.
REGION TITLE: YUNNAN. Only this text, exactly once. Large friendly upright hand-lettered capitals in a local opening, not a full-width banner.
PALETTE: #174E47, #BD597E, #7AA361. First colour is the contour/title; the other two are selective flat accents, with no extra colour or white ink.
ORIGINAL COMPOSITION:
TEN unequal generous groups with an informal hand-drawn souvenir rhythm. One: an arbor-tea branch with four large leaves and one reaching hand, each leaf mostly open. Two: a broad stone tea-cake press with one finished unbranded cake beside it; no pile of tiny wrapper lettering. Three: a shallow sun-drying mat with only six recognisable loose leaves. Four: a Fengqing rolling tray carrying five long twisted tea shapes and one maker hand, clearly different from the round cake. Five: a small Jingmai tea tree below one taller forest tree, simple unequal crowns and no carpet of miniature foliage. Six: a pack animal with two side bundles and one carrier, a gentle tea-road reference without fantasy costume. Seven: one Lijiang timber-roof house, showing a door and only a few beam strokes. Eight: a low Dali Bai-style gate beside three open Erhai water curves. Nine: a slender southern Dai roof and one palm, simplified broad silhouette. Ten: two small angular snow peaks, a northern travel token rather than a backdrop behind the tropical tree. Arrange the branch, tree and palm at unequal heights; press and mat are broad low anchors. Let the carrier path partly tuck behind the press and a leaf tip overlap a roof corner, but keep the overall album free of a global scenic horizon. Put YUNNAN once in a central upper opening, large friendly upright capitals, and shape the subjects around the word without creating an empty banner. Main contours must be clear 5–7 px strokes; limit each object to three to five interior explanation lines. Do not shade forests, engrave every tile, draw hundreds of leaves or fill the ground with colour. Colour is selective flat accent on leaf halves, roof sides and a few tool surfaces. Nearly all water, sky and building interiors are true transparency. Tea objects remain the largest memorable shapes, not a token cup beside generic tourism icons.
REGIONAL FACTS AND LIMITS:
Large-leaf tea and a stone cake press refer to southern Pu’er production; a Fengqing tray shows long twisted black-tea leaves instead of cakes. Jingmai tea grows beneath a forest canopy. Lijiang wooden roofs, Dali architecture, a Dai roof/palm and a caravan are map-derived travel motifs. Hani stepped flooded fields are rice, not tea. Northern snow peaks are separate travel scenery, not the background of a southern tea tree. Avoid precise costume claims, brand labels, Chinese writing, health motifs and tiny documentary text. This is a selected travel album, not all Yunnan clusters rendered literally.
FINISH: memorable large silhouettes, simple confident outside contours, few internal marks, restrained colour. Keep all required objects whole and all lettering readable. Do not fill trays with hundreds of miniature leaves. No small captions, numbers, signatures, logos, Chinese text or repeated extra words. Flat transparent artwork only.