# Tianjin — Город как чайный дом

Тяньцзинь · TJ_C3

Один связный квартал показывает, как чай попадает к зрителю.

## Опубликованный файл

250 × 75 мм · 3840 × 1152 px · RGBA · 390.144 / 390.144 ppi.

Проверено для публикации · Просмотр рисунка и техническая проверка текущего файла

[PNG](/assets/artwork/TJ_C3.png) · [точный TXT](/assets/prompts/TJ_C3.txt) · [досье в браузере](/ru/docs/designs/TJ_C3.html) · [контекст коллекции](/ru/docs/projects/C3.html).

[Региональное исследование и источники](/ru/docs/research/tianjin.md).

## Основание проверки

TIANJIN и ключевые английские подписи читаемы; портовый товар, оценка листа, разлив и сценическое чаепитие связаны в городскую историю. Главные предметы не обрезаны.

PNG RGBA 3840 × 1152 px; настоящий альфа-канал; пропорциональный экспорт 250 × 75 мм.

Допущен после просмотра для открытой галереи; не означает утверждение пользователем промышленного тиража.

## Палитра авторского задания

#255762

#A48235

#C67355

#7E9C81

#9E86A0

## Точное текстовое задание

Текст ниже совпадает с опубликованным TXT. Надписи, детали и палитра в задании — авторский замысел; это не OCR конечного изображения. Использованные изображения-референсы не включены в TXT.

SHA-256 TXT: `02bfe29f2fd195b72f50a22f822b0db278996ade384998fbfa6c1c5466a65646`.

```text
Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C3 — LIVING TEA TERRITORY.
Five-colour illustrated tea territory, richly connected with a real regional river, ridge, street or courtyard procession as its organising spine. One large near tea action, a substantial counterweight and smaller midground scenes form three depths. Neighbouring episodes share real ground contours or architectural parts; there is no two-row grid or detached sticker arrangement. Strong condensed regional title fits the lower rhythm without acting as an opaque footer. Warm human storytelling, controlled decorative detail and selective flat accents.

REGION: TIANJIN. EXACT PALETTE: #255762, #A48235, #C67355, #7E9C81, #9E86A0. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

Open a believable riverside block like an illustrated theatre set. Left: arriving plain tea chests, a handcart and merchant checking loose leaf. Middle: counter with balance, paper packets and a buyer tasting jasmine tea. Right: a serving passage opens onto a xiangsheng hall, two performers and several large enough tea-drinking listeners. A visible kettle refill connects the counter to the social room. Far behind, a modest Haihe bridge and merchant roofs establish Tianjin without becoming a tourist skyline. No tea picking, tea bushes or invented local scenting plantation.

REGIONAL TRUTH: Tianjin is a northern tea-trade and tea-drinking city, not a tea-growing province. Its established jasmine-tea merchants obtained and processed supplies in southern tea regions before bringing tea to Tianjin. Zhengxingde is documented evidence of this merchant culture, but no brand logo is needed. Qianxiangyi is a documented teahouse performance venue, supporting the combination of xiangsheng, tea tables and social listening. The Haihe, merchant architecture and port identify the city. Any tea stockroom in the artwork is an interpretive trade scene, not an invented named tea museum. Do not invent local tea fields, a special Hakka sweet tea or export-market statistics.

SPECIFIC COMPOSITION: The quarter wraps around one open court with clear floor space, using shared eaves and serving gestures to connect scenes. Large front kettle and merchant hands are the visual heroes; performers are a lively midground counterweight. Condensed TIANJIN rests at the lower room edge without a filled label panel.

TEXT: Main title exactly "TIANJIN". Secondary labels, each once and attached to its correct scene: Tea Merchants; Jasmine Tea; Xiangsheng; Haihe. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.
```