# Ляонин — Чайные территории

Ляонин · LN_C3

Городская чайная территория от прилавка до морской паузы.

## Опубликованный файл

250 × 75 мм · 3840 × 1152 px · RGBA · 390.144 / 390.144 ppi.

Проверено для публикации · Просмотр рисунка и техническая проверка текущего файла

[PNG](/assets/artwork/LN_C3.png) · [точный TXT](/assets/prompts/LN_C3.txt) · [досье в браузере](/ru/docs/designs/LN_C3.html) · [контекст коллекции](/ru/docs/projects/C3.html).

[Региональное исследование и источники](/ru/docs/research/liaoning.md).

## Основание проверки

Целое LIAONING и читаемые SHENYANG/DALIAN/TEA TASTING. Связная чайная торговля и подача с портом; чистые контуры и различие ближних людей и дальних гор, без заметного брака текста.

PNG RGBA 3840 × 1152 px; настоящий альфа-канал; пропорциональный экспорт 250 × 75 мм.

Допущен после просмотра для открытой галереи; не означает утверждение пользователем промышленного тиража.

## Палитра авторского задания

#2A527D

#D08A55

#7FA59A

#AB6271

#BDA747

## Точное текстовое задание

Текст ниже совпадает с опубликованным TXT. Надписи, детали и палитра в задании — авторский замысел; это не OCR конечного изображения. Использованные изображения-референсы не включены в TXT.

SHA-256 TXT: `e164cf910a2ac19597309692546b4fc1843a65c1e8bdd7d4d05b907e21d6046f`.

```text
Create one exceptional, completely flat regional ceramic-print artwork. This is the actual printable illustration, never a cup, product photograph, mockup, presentation board or simulated ceramic surface. The collection reference controls drawing language only: invent a new composition for the specified region and replace all Guangdong-specific objects. The source map supplies a regional inventory, not a paper texture or a layout to trace literally.

TECHNICAL CONTRACT: native canvas exactly 3840 x 1280 pixels, true RGBA PNG. Keep every visible mark, letter, ornament and antialiased edge inside x=60..3780 and y=110..1170. The final delivery will use a centered 3840 x 1152 export for a 250 x 75 mm wrap; leave the native safety area completely transparent. Compose for a long horizontal physical print, not a conventional poster. Nothing is cut off at either end. All exterior space and meaningful holes between objects must have alpha zero. No painted background, white underpainting, sky rectangle, tinted paper, land silhouette, colour fog, opaque backdrop or checkerboard. The wearer-visible ceramic supplies the unprinted space. Use the specified colours as ink, with normal edge antialiasing; do not invent extra white, black or metallic ink. Never print dimensions, crop marks, palette swatches, filenames, reference names or instructions.

ART DIRECTION: create a memorable hierarchy, a major focal scene and a quieter counterweight; alternate large close forms with medium stories and a few small discoveries. Let tea life interact with the region. Connect selected objects through a real roofline, tabletop, lane, ridge or river contour; retain clear breathing channels so each gesture and vessel is legible. Do not impose any percentage of empty space. Avoid both a cramped rectangular carpet and timid isolated stickers. Use confident, intentional linework that will survive the 75 mm print height. Limit texture to useful material clues. Any water, snow, steam or clouds are sparse outlines with transparent interiors, never washed fills. No photographic gradients, glow, heavy grunge, blurred edges or tiny illegible hatch fields.

FACTUAL DISCIPLINE: the scenes below distinguish cultivation, processing, trade, hospitality and non-tea infusions. Do not turn imported tea, berries, ginseng, barley, trees or grasslands into tea plantations. Do not invent a local tea cultivar, a named historic tea shop, medical effects, a precise trade route or archaeological evidence. Landmarks are cultural/geographic motifs, not assertions that tea was grown or traded at their gates. A contemporary tea pause next to a landmark is an authored scene, not a documentary historical claim. Keep people natural and respectful, with plausible hands and gestures; use no decorative pseudo-script.


C3: LIVING TEA TERRITORIES. Make an oblique, connected illustrated tea world, held together by a locally meaningful river, street, mountain fold or caravan corridor. Large foreground hospitality or craft overlaps medium buildings and small distant geography. Five flat inks, expressive editorial drawing and carefully observed vessels. No administrative outline, amusement-park badge grid or generic ornamental tea leaves. Integrate a strong condensed regional heading in the lower rhythm, not in a separate title band.

REGION: Liaoning. Exact ink palette: #2A527D, #D08A55, #7FA59A, #AB6271, #BDA747. The first colour supplies the main line; the others have deliberate separate roles, not gradients.

AUTHENTIC SUBJECT MATTER:
Make tea retail, expertise and present-day social drinking the region-specific core. A Shenyang tea counter inspired by the documented long-running Zhonghefu trading tradition has a seller measuring imported leaf with a scoop, plain cylindrical tins and a small balance; do not reproduce a logo or pretend the drawing is the exact shop frontage. A customer compares two tea samples while another pair share a porcelain pot and cups at a low table. A modern museum-courtyard beverage scene sits beside a recognisable Mukden roof fragment: one contemporary tea glass, not an invented Qing emperor ceremony. A traveller opens a thermos beside a Dalian-style arched waterfront window and a tiny sailboat contour; this is a contemporary authored moment. One compact tea parcel and short quay step hint at circulation of goods, without claiming a specific historical Tea Wharf. Tea leaves are imported commodities; no tea plantations. Ginseng, fur and antlers must never be treated as tea ingredients. A restrained coastal curve and two Qianshan rocks give the service scenes their Liaoning identity.

SPECIFIC COMPOSITION:
Create a street-to-sea tea territory: the left-hand tea counter and weighing action open onto a central shared tasting table, then a curving promenade carries the story to a waterfront tea pause. A small Mukden roof group sits above the city end, Qianshan rocks form an airy center crest, and an arched Dalian facade closes the right. Tea parcels and a short boat silhouette are secondary circulation cues, no claimed ancient route. The large foreground pot has a clearly formed handle and spout; hands and cups never fuse. Put the title low in the promenade bend, with true transparency beneath the table and around the rock skyline.

VISIBLE TYPE: exact main title "LIAONING" once. Use only these optional small English labels, integrated beside the appropriate scenes and large enough to read: SHENYANG, TEA TRADE, TEA TASTING, DALIAN. Do not add other text. No Chinese characters, bilingual captions, pseudo-calligraphy, gibberish, slogans, logos or signatures. Prioritize visual storytelling over words. Do not allow letters to merge with foliage or buildings. The design must feel like a collectible regional artwork that a tea professional would want to handle and study.
```