# Jiangxi — Чайный двор и гончарная печь

Цзянси · JX_C4

Две мастерские смотрят через старый каменный мост: чайная и керамическая.

## Опубликованный файл

250 × 75 мм · 3840 × 1152 px · RGBA · 390.144 / 390.144 ppi.

Проверено для публикации · Просмотр рисунка и техническая проверка текущего файла

[PNG](/assets/artwork/JX_C4.png) · [точный TXT](/assets/prompts/JX_C4.txt) · [досье в браузере](/ru/docs/designs/JX_C4.html) · [контекст коллекции](/ru/docs/projects/C4.html).

[Региональное исследование и источники](/ru/docs/research/jiangxi.md).

## Основание проверки

JIANGXI и главные подписи читаются полностью. Чистая связная сцена сбора и обработки чая, фарфоровой мастерской и речной архитектуры; детали рук, посуды и мостов различимы, крупных дефектов не видно.

PNG RGBA 3840 × 1152 px; настоящий альфа-канал; пропорциональный экспорт 250 × 75 мм.

Допущен после просмотра для открытой галереи; не означает утверждение пользователем промышленного тиража.

## Палитра авторского задания

#2F457B

#B57241

#759383

## Точное текстовое задание

Текст ниже совпадает с опубликованным TXT. Надписи, детали и палитра в задании — авторский замысел; это не OCR конечного изображения. Использованные изображения-референсы не включены в TXT.

SHA-256 TXT: `ef4ff6ee8ef3b128282ad295b0a074f65d2a3be035ca02b527833dac61f55549`.

```text
Create an original collectible regional ceramic PRINTING DECAL, not a mug or mockup. The supplied image is a drawing/style benchmark only: replace every reference-region subject and word with the researched region described below. Make a confident, rewarding composition whose tea craft, architecture and landscape belong together.
OUTPUT: PNG RGBA, native 3840 x 1280 px. Keep every mark inside x=60..3780 and y=110..1170; use nearly the whole long strip. The final export is 3840 x 1152 px for 250 x 75 mm. Do not shrink the entire design to a central 16:9 picture. Preserve normal object proportions and complete edge objects.
ALPHA: genuine transparent exterior and natural transparent openings inside the drawing. No white or cream rectangle, paper texture, sky wash, sea fill, provincial silhouette, checkerboard, aura, gradient or drop shadow. Unpainted architecture, water and negative openings reveal alpha. Colour belongs to actual drawn objects, never a vague backdrop. Do not reproduce any opaque field visible in the reference.
For C1–C6, create ONE connected varied panorama with two or three unequal anchors, overlapping near/middle/far scales and smaller discoveries. Connect through real terrain, streets, roofs, branches and human actions, not dotted diagram routes. No two-row sticker sheet, isolated equal scenes, caption boxes, repetitive generic gardens or an empty band under the title. Do not impose a percentage of blank space. C7 instead follows its explicit irregular album direction below.
English lettering only, exact spelling, dark clear capitals for allowed captions. One main regional title. No Chinese characters, logos, invented seals, pseudo-writing, promotional superlatives or health claims. A short legible caption is preferable to microscopic text. Respect the stated distinctions between growing tea, processing it, trading it and serving it. A full research inventory need not become a printed gazetteer.

COLLECTION: AN INTIMATE HAND-DRAWN ATLAS. Follow GD01: richly observed buildings, objects, plants and lived tea culture, in three inks. Draw disciplined collector engraving with beautiful changes of scale. A curved scenic backbone links two unequal hero stories; smaller details share the terrain. An elegant serif title belongs among roofs or ridges. No independent encyclopaedia panels.
REGION: JIANGXI.
PALETTE: #2F457B, #B57241, #759383. Preserve this regional colour family; first colour supplies the strongest contour/text. Extra dark/light rendering colours and full-colour watercolour are not wanted.
RESEARCHED CONTENT:
Use the long north-south map journey: Poyang Lake and a sailboat, Lushan mountain temple/eave, Wuyuan white houses and tea terraces, Jingdezhen pottery kiln/workshop with unbranded vessels, Shangrao/Wuyi ridges, old stone arch bridges, Gan River lowland and southern Jinggang/Nanling forest villages. Tea anchors are a Wuyuan pan and picker, Fuliang sorting tray, Xiushui Ninghong black-tea rolling, Suichuan tender-leaf work and a pale Zixi sprig. Jingdezhen makes the drinking vessel, not tea; distinguish a potter's wheel and firing kiln from a tea wok/drying table. Nanchang/Jiujiang are trade/serving nodes, not plantations filling the lake. Open wall interiors are alpha, not white ink. The lake pagoda and unnamed bridges are source-map motifs and should not receive invented exact monument names.
AUTHORED COMPOSITION:
Make an old stone arch bridge cross the near central opening. Left bank holds a Wuyuan tea courtyard with horse-head gables, a maker’s pan and a Fuliang leaf tray; right bank holds an open Jingdezhen pottery workshop with wheel, cup and modest kiln chimney. Clearly separate the two crafts. Behind the tea court rise a small Lushan eave and a Poyang sail; behind the pottery side run Shangrao/Wuyi ridges and a pale Zixi sprig. A low southern lane includes Suichuan tea and Jinggang forest roofs. Three-ink collector drawing gives exact structural edges and expressive hands, with transparent walls, water and cup interiors.
LETTERING PLAN:
JIANGXI once; supporting captions only WUYUAN, FULIANG, NINGHONG, JINGDEZHEN, POYANG, SUICHUAN.
REGIONAL SAFEGUARDS:
Zixi Baicha is green tea from pale-leaf material, not the white-tea category. Ninghong is black tea and must have separate rolling craft. Pottery kiln is for ceramic vessels, not tea processing. Gougunao is a place/product name, never dog anatomy. Yunwu is not permission for a printed fog backdrop. No oil-camellia fruits, mythical origin dates or medicinal claims.
FINAL STANDARD: sharply drawn object edges, deliberate line hierarchy, vivid meaningful local differences and a recognisable whole place. Protect the main title and key silhouettes; never solve complexity by making everything equally tiny.
```