# Jiangxi — От Поянху к южному чайному листу

Цзянси · JX_C3

Речная ось раскрывает северные, восточные и южные чайные территории.

## Опубликованный файл

250 × 75 мм · 3840 × 1152 px · RGBA · 390.144 / 390.144 ppi.

Проверено для публикации · Просмотр рисунка и техническая проверка текущего файла

[PNG](/assets/artwork/JX_C3.png) · [точный TXT](/assets/prompts/JX_C3.txt) · [досье в браузере](/ru/docs/designs/JX_C3.html) · [контекст коллекции](/ru/docs/projects/C3.html).

[Региональное исследование и источники](/ru/docs/research/jiangxi.md).

## Основание проверки

Новая версия исправила прежнюю псевдопись и грязную графику: JIANGXI и основные названия читаемы, чайные процессы и фарфор нарисованы чисто, цельная композиция без крупных дефектов.

PNG RGBA 3840 × 1152 px; настоящий альфа-канал; пропорциональный экспорт 250 × 75 мм.

Допущен после просмотра для открытой галереи; не означает утверждение пользователем промышленного тиража.

## Палитра авторского задания

#2F457B

#B57241

#759383

#C4AB67

#B287A1

## Точное текстовое задание

Текст ниже совпадает с опубликованным TXT. Надписи, детали и палитра в задании — авторский замысел; это не OCR конечного изображения. Использованные изображения-референсы не включены в TXT.

SHA-256 TXT: `657488d10d18baaa66918fb105bf8228d29c908cd84cdf2f29277373442b6522`.

```text
RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

Create an original collectible regional ceramic PRINTING DECAL, not a mug or mockup. The supplied image is a drawing/style benchmark only: replace every reference-region subject and word with the researched region described below. Make a confident, rewarding composition whose tea craft, architecture and landscape belong together.
OUTPUT: PNG RGBA, native 3840 x 1280 px. Keep every mark inside x=60..3780 and y=110..1170; use nearly the whole long strip. The final export is 3840 x 1152 px for 250 x 75 mm. Do not shrink the entire design to a central 16:9 picture. Preserve normal object proportions and complete edge objects.
ALPHA: genuine transparent exterior and natural transparent openings inside the drawing. No white or cream rectangle, paper texture, sky wash, sea fill, provincial silhouette, checkerboard, aura, gradient or drop shadow. Unpainted architecture, water and negative openings reveal alpha. Colour belongs to actual drawn objects, never a vague backdrop. Do not reproduce any opaque field visible in the reference.
For C1–C6, create ONE connected varied panorama with two or three unequal anchors, overlapping near/middle/far scales and smaller discoveries. Connect through real terrain, streets, roofs, branches and human actions, not dotted diagram routes. No two-row sticker sheet, isolated equal scenes, caption boxes, repetitive generic gardens or an empty band under the title. Do not impose a percentage of blank space. C7 instead follows its explicit irregular album direction below.
English lettering only, exact spelling, dark clear capitals for allowed captions. One main regional title. No Chinese characters, logos, invented seals, pseudo-writing, promotional superlatives or health claims. A short legible caption is preferable to microscopic text. Respect the stated distinctions between growing tea, processing it, trading it and serving it. A full research inventory need not become a printed gazetteer.

COLLECTION: ONE LIVING TEA TERRITORY. Follow GD18: connected editorial tea geography with a broad change in scale. A foreground craft episode leads through connected slopes and settlement contours into far terrain. Use five-colour accents, intentional fine drawing and a strong condensed regional title integrated low in the composition. Never fill an administrative silhouette or make equal garden badges.
REGION: JIANGXI.
PALETTE: #2F457B, #B57241, #759383, #C4AB67, #B287A1. Preserve this regional colour family; first colour supplies the strongest contour/text. Extra dark/light rendering colours and full-colour watercolour are not wanted.
RESEARCHED CONTENT:
Build a green-tea landscape with a clearly distinct black-tea craft. Wuyuan: green-tea picking and hand pan work below white-walled dark horse-head gable houses. Fuliang: a separate tea-sorting workshop and cultivated hills near Jingdezhen, not a pottery kiln pretending to process tea. Lushan Yunwu: tender tea shoots and a small hillside garden beneath a mountain eave, with no opaque fog. Suichuan/Gougunao: a maker handles small tender green leaves in a shallow pan on southern foothills. Xiushui/Ninghong: darker long twisted black-tea leaves rolled and dried at a separate table, clearly different from the green tea nearby. Shangrao Baimei: straight downy tender leaves on a board. Zixi Baicha is green tea made from pale-leaf cultivars: show a pale open sprig and pan craft, not a white-tea cake. Jing'an has another pale-leaf garden episode, without an invented unique process. Jinggangshan's tea-bearing forest slope comes from the source map; southern Shangyou has green-tea picking. Jingdezhen contributes beautiful unbranded teaware and a pottery worker as a small supporting craft, while Jiujiang/Nanchang tea trading sits by open water. Ten tea captions maximum.
AUTHORED COMPOSITION:
A long open river curve travels from a broad low Poyang interval at left to southern foothills at right. Northern Lushan and Xiushui occupy unequal shoulders above the lake, with green-shoot and black-tea craft clearly separate. Wuyuan/Fuliang create the nearest large workbench lane beside stepped gables; Jingdezhen cup-making is a small neighbour, not the whole subject. The curve passes Shangrao, pale Zixi/Jing’an gardens and then large Suichuan/Shangyou picking hands near the southern forest. Jinggangshan is a quiet high shoulder. Set JIANGXI in the lower opening following the river, using changes of scale and actual roof/ground links rather than captioned islands.
LETTERING PLAN:
JIANGXI once. Supporting captions only WUYUAN, FULIANG, LUSHAN, XIUSHUI, SUICHUAN, SHANGRAO, ZIXI, JINGAN, JINGGANGSHAN, SHANGYOU. Pottery and trade do not add extra tiny labels.
REGIONAL SAFEGUARDS:
Zixi Baicha is green tea from pale-leaf material, not the white-tea category. Ninghong is black tea and must have separate rolling craft. Pottery kiln is for ceramic vessels, not tea processing. Gougunao is a place/product name, never dog anatomy. Yunwu is not permission for a printed fog backdrop. No oil-camellia fruits, mythical origin dates or medicinal claims.
FINAL STANDARD: sharply drawn object edges, deliberate line hierarchy, vivid meaningful local differences and a recognisable whole place. Protect the main title and key silhouettes; never solve complexity by making everything equally tiny.
```