# Hunan — Река несёт чай

Hunan · HN_C6

Упаковка Anhua начинает S-путь через деревянный мост к лодке Dongting.

## Опубликованный файл

250 × 75 мм · 3840 × 1152 px · RGBA · 390.144 / 390.144 ppi.

Проверено для публикации · Просмотр рисунка и техническая проверка текущего файла

[PNG](/assets/artwork/HN_C6.png) · [точный TXT](/assets/prompts/HN_C6.txt) · [досье в браузере](/ru/docs/designs/HN_C6.html) · [контекст коллекции](/ru/docs/projects/C6.html).

[Региональное исследование и источники](/ru/docs/research/hunan.md).

## Основание проверки

Новый компактный сюжет исправил размытие: крупные цилиндр, мост с носильщиком и чайная лодка чисто нарисованы; полный наклонный HUNAN и три подписи читаемы. Сильное движение и ясная трёхцветная графика.

PNG RGBA 3840 × 1152 px; настоящий альфа-канал; пропорциональный экспорт 250 × 75 мм.

Допущен после просмотра для открытой галереи; не означает утверждение пользователем промышленного тиража.

## Палитра авторского задания

#56354C

#CF9233

#637E51

## Точное текстовое задание

Текст ниже совпадает с опубликованным TXT. Надписи, детали и палитра в задании — авторский замысел; это не OCR конечного изображения. Использованные изображения-референсы не включены в TXT.

SHA-256 TXT: `c719aa682bb7054f6f209d8a0deb069c88286c3ba1e82a3983f106200042013f`.

```text
Create a bold HUNAN tea-journey wrap with the reference's energetic diagonal movement. Use three dominant masses: a near-view tea workshop, a climbing bridge-and-pillar route, and a broad river boat. No tiny villages or endlessly textured mountains.

One 3840 x 1280 PNG with real RGBA transparency. Keep all ink inside x60..3780 and y110..1170 for a 250 x 75 mm wrap. No mockup, border, paper, backdrop or sky. Negative space is transparent. Use plum #56354C, ochre #CF9233 and olive #637E51 in flat areas with sharp interior strokes. No white paint, extra colours or gradients.

Set HUNAN once in large slanted display capitals, rising across the upper middle. Every letter is complete, bold and readable. Only three small place labels are allowed, in clear uppercase: ANHUA, JUNSHAN, DONGTING. Keep each on open space beside its scene. No other words, Chinese, numbers, logos or pseudo-writing.

FIRST MASS: the large Anhua workshop fills the left foreground. One tea maker braces a tall Qianliang cylinder and tightens a bamboo binding around it, with clearly articulated hands and sleeves. The cylinder is packed tea, with broad woven bands and a firm closed base, not a drum. A few rectangular dark tea bricks rest on a low bench. A wide bamboo tray of slender Junshan tea buds reaches toward the lower centre beside a small drinking cup. Separate the pointed buds clearly and keep the tray rim continuous. ANHUA sits beside the cylinder; JUNSHAN beside the tray. Contrast the tall cylinder, square bricks and shallow oval tray without adding more tools.

SECOND MASS: an elegant climbing route runs behind the workshop through the central space. A tea porter carries two baskets on a shoulder pole across a short timber bridge. Give the porter a clear silhouette, natural walking legs and visible hands. The bridge's clean diagonal railing leads toward two slender Zhangjiajie stone pillars with small flat-topped pines. Use simple angular rock shapes, not finely textured cliffs. One compact stilt-house roof connects the route to the workshop. These elements form a single rising shape, not a row of isolated icons.

THIRD MASS: a Dongting cargo junk occupies the right foreground. Draw a strong curved hull, two large ochre sails and three clearly shaped tea baskets on deck. One small boatman works at the stern. The sail diagonal answers the title and bridge; sparse flowing river lines return the eye toward the tea tray. DONGTING sits beside the hull. A very small island pavilion behind the boat supplies local character without starting another detailed landscape. Leave the lake itself transparent.

An open tea branch completes each end. Leave gaps around words, faces and hands. Allow natural overlaps of leaves, bridge and sail, while keeping the three main masses distinct. No grid or decorative filler.

Use firm contours, crisp directional strokes and flat ink. Simplify tiny details. No fuzzy foliage, grain, stippling, tangled hatching, watercolour, smudges, ghost lines, mist, shadows, low-opacity wash or blurred water. Keep all words, tools, sails and limbs inside the safe area. Let craftsmanship carry the detail.
```