Чайный карнавал

STEP 1 — Original generation

Create an exceptional original FLAT PRINTING DECAL celebrating the TEA GEOGRAPHY OF GUANGDONG. Use the attached mug photograph ONLY for its graphic drawing language and open composition. Reinterpret the linework according to the art direction below. Do not copy its subject matter, mug shape, lighting, lettering, number of colours or background. The result is the unwrapped foreground illustration alone, never a photograph of a cup or any mockup. Tea professionals should discover many distinct local tea territories and craft details, not a generic tourist skyline.

ART DIRECTION: A lively carnival of thirteen separate tea worlds. Deliberately scramble geographic order: Phoenix ancient trees start at the far left, Lianjiang gardens appear high in the centre, Yingde terraces sit at far right, Zijin leafhopper leaves near the bottom-left and Xinhui citrus motifs at the upper-right. Alternate big rounded gardens, tall trees and tiny architectural souvenirs. Each cluster keeps its correct name beside its own drawing despite the shuffled arrangement. The GUANGDONG heading occupies an unexpected central diagonal pocket, with bold friendly asymmetric letters. Use six opaque inks like a brilliant screenprint: warm/cool contrasts, occasional oversized leaves, very clean open space, no rainbows, gradients or landscape background.

PALETTE: use exactly 6 deliberate opaque printing-ink colours: #163D54, #368C72, #A3C658, #DE7251, #E7BC4A, #8F6DAA. Transparent negative space is not a colour. Do not introduce black, white, cream, extra pastel shades, gradients or coloured shadows outside this palette. Antialias only the edges. Empty sky, land, water, wall interiors and spaces between objects stay alpha-zero. Use bounded flat accents on individual objects, never a continuous ground, paper texture, backdrop, haze or filled sea. Keep substantial open space within and between scenes.

TEA IS THE SUBJECT: devote roughly 75 percent of visual attention to tea growing, tea leaves, harvesting and tea craft. Include THIRTEEN DISTINCT TEA-TERRITORY SCENES, not just two large tea gardens. These are an illustrated overview of documented regions, not claims of exact farm architecture:
1 Qingyuan / Yingde: neatly curving tea rows, two broad-hatted pluckers, baskets and a small tray of dark processed tea leaves; also a small upland garden, acknowledging Qingyuan's broader tea landscape.
2 Shaoguan / Renhua: northern slopes beside Danxia rock columns and a close-up pale-haired tea bud drawn with open fine lines. Hairy buds are plant morphology; do not label this as exclusively white tea.
3 Zhaoqing / Deqing: tea gardens near a few karst-hill contours and a person working leaves in a shallow iron pan.
4 Yunfu / Xinxing: a clearly separate western hilly tea garden with a leaf sprig and a small harvesting basket.
5 Jiangmen / Xinhui: citrus-peel tea craft, a small opened dried citrus shell containing tea and a curled peel beside it. This is a processing/culture node, not a claim that all tea leaves inside it grow in Xinhui.
6 Maoming: a distinct warm-climate hill garden with a worker holding a tea basket.
7 Zhanjiang / Lianjiang: southern tea rows beside the original southwest village and palms, with rolled tea-leaf shapes in a small sorting tray.
8 Huizhou: another distinct gently rolling tea-growing hill scene with broad leaf sprigs and a small tea worker.
9 Heyuan / Zijin: tea shoots and ONE tiny recognizable leafhopper insect beside a larger serrated tea leaf, not a giant cicada; a small mountain garden behind these outlined objects.
10 Meizhou / Yannanfei: a broad terraced tea fan and Hakka architectural context, a worker with a basket and a round tea-processing tray.
11 Jieyang: a separate eastern upland tea garden with tall alternating tea bushes and a leaf-sorting basket, spatially distinct from both Meizhou and Chaozhou.
12 Fenghuang / Wudong: the strongest ancient SINGLE-TRUNK tea-tree silhouettes, mountain gardens, a tiny pagoda and one charcoal-roasting basket. Include several little separate tea-tree groves to suggest the Tianchi, Dangui, Baihuashan, Tianhaodong and Wudong Yuntiandong places on the user's tea route. Do not print unverified tree ages, heights or tasting claims.
13 Raoping / Lingtou: a clearly separate steep tea-growing slope east of Fenghuang, with small harvesting figures and three little garden groups suggesting the route's Zhentoudong, Yongcheng and Dakeli stops. Raoping must not be absorbed into a generic Phoenix label.

RETAIN THE SOURCE-MAP STORY as smaller, recognizable supporting drawings: Nanling ridges; Lianhua ridges; upright Danxia rock columns; Guangzhou traditional dark-roof buildings plus a separate pagoda; the small inland stone arch bridge; the unnamed round walled courtyard in the east; a short pack-horse/mule caravan with handlers; the southwestern white-wall village and palms; exactly TWO Chinese sailing junks; one flying seabird; THREE different coastal bridges; sparse branching rivers, coastline fragments and islands. Many of these can be integrated into the thirteen tea scenes. They must not overwhelm the tea geography. Keep the two original harvest scenes with two workers each. Do not import foreign monuments, foods unrelated to the documented tea craft, commercial logos or fictional mascots.

FREE COLLAGE, NOT A MAP: deliberately scramble the geographic order of all thirteen tea scenes. Regions keep their own characteristic visual details and their correct English captions. Do not place them at their geographic coordinates or reproduce the original map outline. Use the specific unusual composition in the art direction. Tea trees, small gardens, processing baskets, architecture and boats should alternate at surprising scales while staying recognizable. No background or generic decoration that takes the place of a documented tea area.

ENGLISH ONLY. The main title is exactly GUANGDONG. All other wording uses Latin-script English place names, never Chinese characters, Cyrillic, pinyin tone marks or pseudo-writing. The mandatory tea captions are: QINGYUAN / YINGDE; SHAOGUAN / RENHUA; ZHAOQING / DEQING; YUNFU / XINXING; JIANGMEN / XINHUI; MAOMING; ZHANJIANG / LIANJIANG; HUIZHOU; HEYUAN / ZIJIN; MEIZHOU / YANNANFEI; JIEYANG; FENGHUANG / WUDONG; RAOPING / LINGTOU. Use two lines for long paired labels. Short secondary captions, only if there is clean space: DANCONG; YINGDE BLACK TEA; ZIJIN LEAFHOPPER TEA; NANLING RANGE; LIANHUA MOUNTAINS; DANXIA; GUANGZHOU; CHAOZHOU; SHANTOU; PEARL RIVER; SOUTH CHINA SEA. Prefer readable tea-cluster names over tiny non-tea town lists. No invented slogans, dates, awards or serial numbers.

OUTPUT: native RGBA PNG, transparent background. Create an exceptionally WIDE 10:3 design for 250 x 75 mm. On the 3840 x 2160 carrier place ALL marks inside a single central strip x=55..3785, y=520..1640. Spread the illustration across the full strip width. Keep the unused upper and lower canvas completely transparent. Every object and letter is whole and uncut inside the strip. No mockup, no base surface, no rectangle behind the drawing, no photographed paper, no white backing, no rendered transparency checkerboard. Crisp ink belongs to the drawing; all negative space is genuine alpha transparency.

STEP 2 — Quality correction

REFINE AND RECOMPOSE the attached Guangdong Tea Carnival decal for a wide 250x75mm printing strip. Preserve its successful illustration style, rich clean linework, six-colour palette, recognizable scenes and readable English typography. Do not replace it with a different design. The source has excessive side margins because the composition is too tall. Reflow the same elements into a wider and shallower garland, about 3.5 times wider than tall, without stretching letters or people and without cropping any motif.

Keep all THIRTEEN tea scenes and their EXACT labels. These labels are mandatory, in clear dark navy uppercase, at a readable consistent size, beside their own scenes:
FENGHUANG / WUDONG — large old single-trunk tea tree, tea grove, pagoda and roasting basket;
RAOPING / LINGTOU — separate steep tea garden and small groves;
QINGYUAN / YINGDE — curved tea terraces, TWO pluckers, baskets and black tea;
SHAOGUAN / RENHUA — tea bud and Danxia rock columns;
ZHAOQING / DEQING — garden and tea pan worker;
YUNFU / XINXING — hill garden and basket;
JIANGMEN / XINHUI — tea-filled opened citrus and peel;
MAOMING — warm hill garden and worker;
ZHANJIANG / LIANJIANG — tea gardens, southern village and palms;
HUIZHOU — rounded tea hills and sprigs;
HEYUAN / ZIJIN — serrated tea leaf with one TINY leafhopper insect;
MEIZHOU / YANNANFEI — tea terraces, Hakka house and tray;
JIEYANG — distinct tea bushes and sorting basket.
Geography may remain shuffled as in the source. Each region must remain a distinct readable scene, never combine or delete a region.

Keep the large orange GUANGDONG display title with its fine diagonal line pattern. Slightly lower its height, gently straighten its baseline and reduce the vertical gaps above/below it so the outer scenes can spread farther left/right. Move outer vignettes rather than distorting the whole composition. Main title one occurrence only. Preserve the supporting drawings of Guangzhou roofs and pagoda, Nanling and Lianhua ridges, Danxia, old arched bridge, modern bridges, two junk boats, river contours, sea bird, palm village and pack-mule caravan. Keep small secondary English captions where they fit: DANCONG, YINGDE BLACK TEA, ZIJIN LEAFHOPPER TEA, GUANGZHOU, PEARL RIVER, SOUTH CHINA SEA, NANLING RANGE, DANXIA, CHAOZHOU, SHANTOU. Change the faint yellow small tea captions to DARK NAVY so they read clearly on white ceramic. No Chinese characters, no invented writing.

Crisp resolved print illustration, solid opaque inks and clean contour edges. Keep the current colour family: navy #163D54, jade #368C72, lime #A3C658, orange #DE7251, yellow #E7BC4A, muted purple #8F6DAA. Open negative spaces must be alpha-zero, including space inside houses, bridges and river areas where appropriate. No opaque white rectangle, no background wash, no paper texture, no blur, no shadows, no checkerboard.

TECHNICAL LAYOUT: full native RGBA PNG 3840x2160 transparent carrier. Place the WHOLE COMPLETE wide shallow decal in the central area approximately x=100..3740 and y=570..1590. Keep at least 100px empty transparent side margins and large empty transparent margins above and below. The ink silhouette is about 3600x1020, ready to fit proportionally into a 250x75mm final print canvas. No motif or letter touches any edge. No stray dots outside the complete composition. NO mug and NO mockup. Preserve all important content; improve only print layout, legibility and crispness.

EXPORT NOTE — technical operation, not an image-generation prompt
The prior artwork was placed on a transparent carrier for the image edit. Final print export frames the alpha>32 content bounds with 12px padding, scales down proportionally and places it on an RGBA3840x1152 canvas. No threshold removal of painted details and no manual redraw.