cups.

Shanxi / SX_C7

Shanxi — Based on real cups

Nine large episodes in simple outline; the local forsythia infusion is separated from imported tea.

Checked for publication · Drawing review and technical check of the current file

Shanxi — Based on real cups
250 × 75 mm · 3840 × 1152 px · RGBA · 390.144 / 390.144 ppi

C7: drawing method and real style references

Regional research and sources

Factual basis and choice of subjects

Nine large episodes in simple outline; the local forsythia infusion is separated from imported tea.

Title and drawing language

The assignment provides only one word — SHANXI, in large Latin serif letters. Small place names, Chinese text, numbers, and third-party logos are excluded. This is a description of the assignment; actual legibility is assessed separately.

Drawing method and style references

Photographs of real tourist mugs with city scenes of Guangzhou, Macau, Hong Kong and Zhuhai were studied. From them, observed drawing features were taken: medium lively hand outline, simple recognizable silhouettes, selective flat color accents and a large title in the upper band. The specific set of viewed angles varied by region.

Local scenes vary in scale, shape, and height. Their juxtaposition creates an overall rhythm; a continuous panorama, a shared horizon, a grid of identical modules, and a fixed percentage of empty space are not imposed. Transparency is preserved between and within outlines.

The ceramic surface, highlights, hands, and the object background of the photographs are not part of the new drawing. Reference images and personal source photos are not published here. The three colors of each region are the author's palette, not a measured paint standard of the photographed cup.

Review basis

SHANXI is the only large heading, a clean medium outline and open interiors. Bales, scales, abacus, tea drinking, and architectural motifs are easily distinguishable; none of the former painterly softness. This is a tourist collection of episodes, not a component-accurate map.

PNG RGBA 3840 × 1152 px; real alpha channel; proportional export 250 × 75 mm.

Approved after review for the open gallery; does not imply the user's endorsement of industrial production.

Creative brief palette

#3A3C49

#B28A39

#797356

Original generation prompt

Text matches the public TXT. The list of inscriptions and details describes the author's brief; this is not OCR and not a promise of reproducibility without the references used.

SHA-256: c66afd1931708c318884c1c51fce568a34044a992086d04d83bf5774f4866490

Read the full prompt
RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

Create an original flat souvenir-cup decal, not a mug mockup or a photographed product. Follow the approved real-cup outline style with simple shapes and restrained accents. Do not reproduce the source map's parchment, dense relief shading or filled scenery. Native canvas 3840 x 1280 pixels, actual RGBA PNG, with every mark safely inside x60..3780/y110..1170; final centered export is 3840 x 1152 for 250 x 75 mm. Keep all canvas margins alpha zero. No visible frame or printed technical information.

Use confident, slightly human 5–7 px outlines, readable at 75 mm print height. Most object bodies are open alpha-zero interiors: the ceramic itself becomes the unprinted colour. Only small, sharply bounded flat accent patches; no white or cream backing, no sky/ground slab, no brown wash, watercolor, airbrush, photographic texture, dense engraving or crosshatching. Use 3–5 short interior marks for an ordinary vessel or object, a few essential openings for a building. Tea steam is at most one or two open curls. No global ground line connecting every scene.

Arrange 8–10 substantial, unequal episodes in a lively irregular field. Put the largest episode off-center, let a tall narrow object answer it, and fit a few smaller ones into purposeful gaps. Different heights and natural overlaps are welcome, but every episode needs a legible silhouette and a clean breathing channel. No fixed whitespace percentage, no equal two-row sticker grid, no miniatures scattered under an enormous empty heading. Preserve real regional identity through observed objects and explicit tea actions. Never invent tea farms or label herbs as tea leaves. Architecture is a geographic motif; contemporary tea pauses are authored scenes, not historical evidence.


C7: REAL SOUVENIR-CUP PEN DRAWING. Match the approved Xinjiang and Shanghai cup illustrations through warm, assured medium outlines and selective small flat accents. At native size use approximately 5–7 px main strokes and only 3–5 interior strokes per simple object. Larger buildings may have a few more essential windows, never dense hatching. Most enclosed bodies remain transparent. Draw 8–10 unequal, generous subject groups at different heights, with irregular open channels between them. This is neither an evenly spaced icon grid nor a tightly packed panoramic painting. No watercolor, sepia haze, opaque cream objects, stippled shading or engraving.

REGION: Shanxi. Palette: #3A3C49, #B28A39, #797356. First colour is the main outline; remaining two are small flat accents. No additional inks.

Draw NINE large uneven episodes: (1) a Qixian-style merchant courtyard with one trader opening a tea bale and a visible leaf scoop, the main historical-trade group; (2) a tea balance, plain abacus and blank ledger on a compact counting desk, no invented script; (3) a Pingyao gate with a contemporary guest tea table and two cups; (4) two Bactrian camels and handler approaching a modest northern pass gate; (5) one Yingxian wooden pagoda with simplified stacked roofs and just essential openings; (6) a small Hanging Temple attached believably to a single sheer cliff; (7) Hukou waterfall as a few strong open strokes beside two loess cave-house arches; (8) a respectful small Yungang cave facade and distant Wutai stupa as one unequal architecture group; (9) a forsythia branch, leaf tray and separate herbal-infusion glass with a tiny iron-ox silhouette nearby. No tea plantation, no invented pressing factory, no historical banknote. The broad merchant scene and narrow pagoda balance each other; keep the supporting groups big enough to read at mug size. Main charcoal contours, restrained ochre roof/tea accents and muted olive leaves. Water, ceramic bodies and cliff interiors remain mostly unprinted. The title must say SHANXI, never SHAANXI.

PRINTED TEXT: exactly "SHANXI" once, near the upper composition, in warm hand-drawn block-serif capitals. This is the only visible text: no place names, subheadings, numbers, Chinese, labels, logos or signatures. Keep the word readable and scaled to the drawing, not an oversized empty banner. Preserve the anatomy and silhouette of local animals and vessels; do not repeat or multiply episodes to fill gaps. Deliver the drawing itself on genuine transparency.