# Guangxi — facts, map, and seven compositions

Research date: 2026-10-04. Map viewed visually. Prompts prepared; images are not declared completed or approved by this document.

## Inventory of the source map

Map: Daming Mountains, Dayaoshan, Karst Peaks, Li River, Xi River, You River, Zuo River, Beibu Gulf; Hechi, Guilin, Liuzhou, Baise, Wuzhou, Cangwu, Nanning, Qinzhou, Beihai, Fangchenggang. Motifs: northeastern karst and a raft with a fisherman/cormorants; a covered bridge and wooden tower of the northern districts; tea terraces of Hechi and Cangwu; rivers and a large sailing junk of Wuzhou; southern palms, port boats, and a lighthouse on a small island. The tower and covered bridge are local tourist motifs, not universal architecture of all Guangxi peoples. The unnamed lighthouse is not assigned a precise address.

## Tea territories and fact separation

The strong core is Cangwu/Liubao and Wuzhou: cultivation, dark tea, bamboo storage baskets and river trade. Hengzhou — scenting real tea with jasmine. Lingyun/Baise — large downy tea leaf; Zhaoping/Hezhou — green/black; Sanjiang/Liuzhou — early tea; Guiping/Xishan — mountain green; Jinxiu/Dayaoshan — local tea areas; Hechi — the map shows gardens; Longsheng/Longji — local large-leaf tea, but the famous Longji flooded terraces grow rice. Nanning/coast — trade/route, not mandatory tea fields on the beach. Golden camellia, oil-tea camellia and herbal infusions do not replace Camellia sinensis. Not all Liubao is necessarily aged in caves for decades; we do not promise that.

## tea.travel and primary sources

- [tea.travel Guangxi](https://tea.travel/en/region/guangxi/) — route Wuzhou, Guilin, northern bridges, Lingyun; generalizations about cave aging and timing not carried over.
- [Guangxi Agriculture: brand catalog](https://nynct.gxzf.gov.cn/gxfb/) — Liubao, Hengzhou, and Guiping.
- [Guangxi CPPCC: tea territories](https://www.gxzx.gov.cn/index.php?a=show&c=index&catid=14&id=56238&m=content) — Lingyun, Zhaoping, Sanjiang, Guiping.
- [Guangxi industry plan](https://nynct.gxzf.gov.cn/xxgk/jcxxgk/wjzl/gntf/P020221206603177735473.pdf) — product types and regional placement.
- [Guangxi Commerce: Liubao](https://swt.gxzf.gov.cn/zt/gxtc/mpytc/t805362.shtml) — Cangwu/Liubao, dark tea; legends and medicinal claims excluded.
- [Guangxi government: Wuzhou tea route](https://www.gxzf.gov.cn/zt/xwfb/wssthjbh0728_232875/index.shtml).
- [Guangxi Cooperative: baskets and storage](https://gxs.gxzf.gov.cn/ztzl/ywzt/shzs/t12017132.shtml) — corporate logo is not used.
- [China Tea Marketing Association, Guangxi Investment Promotion letter](https://www.ctma.com.cn/xiehuidongtai/71116.html) — Jinxiu and other territories.
- [Guangxi Natural Resources: Longji](https://dnr.gxzf.gov.cn/xwzx/gnzx/t19768557.shtml) — rice terraces separate from local large-leaf tea.

## Seven independent solutions

- **C1: Basket, flower and large leaf.** Three different forms explain dark tea, jasmine scenting and western large leaf.
- **C2: Letters smell of jasmine.** The word GUANGXI is interwoven with tea baskets, hands, and flowers.
- **C3: Tea mountains and the river basket.** Picking in different mountains transitions into a large scene of Liubao storage and trade.
- **C4: Tea bridge to the river warehouse.** Wooden covered bridge links northern tea scenes with a large Wuzhou basket.
- **C5: Karst, basket, and sail.** A large tea parade alternates three recognizable silhouettes without fine overloading.
- **C6: The leaf sets off down the river.** The movement of the picker, the covered bridge and the tea boat combines into a single route.
- **C7: Ten things of Guangxi.** Open line and large tea forms: basket, jasmine, large leaf.

## Technical and editorial boundaries

C1 uses the first two colors of the regional palette, C2–C3 all five, C4–C7 the first three. The background is truly transparent; there is no mandatory empty space percentage. C1–C6 is a coherent composition, C7 is 8–10 large simple groups. Only English text; C7 is only the region name. Master 3840 × 1280 px; final PNG RGBA 3840 × 1152 px, 250 × 75 mm.

The maps are an artistic source, not a geodetic plan. Symbolic proximity of scenes does not mean they are located on the same plot. The number of places explored is wider than the number of captions; the execution and quality of individual scenes are checked on the finished image. The prompt itself does not confirm the completeness of the result.