Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C2 — GRAND TEA LETTERING.
Five-colour hand-drawn grand serif lettering integrated with a connected regional tea world. The large single region word is the unmistakable structural hero, fully readable with clean counters and open interiors. Put real scenes around the letter feet, in the intervals and behind selected edges. Do NOT fill the letters with photographs or landscape textures, disguise letters as mountains, or cover their skeleton. A branch, roof or working hand may cross one small edge. The letter rhythm binds varied human-scale discoveries into one authored composition.

REGION: SHAANXI. EXACT PALETTE: #744432, #C17532, #536F82, #9B8E50, #AC6B67. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

Render SHAANXI with its double A correctly spelled and crisply separated. Hanzhong tea-picking terraces rise below S/H; a Ziyang riverbank branch crosses only one small A serif; Pingli sorting hands occupy the wide central foreground; Shangluo tea slopes recede behind N; Jingyang's wooden press and textured Fu bricks balance X/I at the right. No fake inscriptions on bricks. A modest Qinling ridge forms the shared distant line. The giant word remains plain graphic lettering, never a silhouette filled with an entire landscape.

REGIONAL TRUTH: Shaanxi has real southern tea cultivation in Hanzhong and Ankang: Hanzhong Xianhao, Ziyang teas and Pingli Nuwa tea are established regional identities. Shangluo also has tea production under the Qinling Quanming regional name. Jingyang in the north is a Fu brick-tea processing and trade centre; do not invent a northern Jingyang plantation. Fu tea is compressed dark tea and must appear as textured bricks, separate from loose southern green tea. The Qinling range, Han River and the dry northern loess provide the province's meaningful geographic contrast. Show no medical promises, selenium diagrams or goddess claiming to make tea.

SPECIFIC COMPOSITION: Use the two A counters as clean breathing points, not tiny scene boxes. A horizontal processing bench links the nearest tea craft while a ridge links the far origins. One huge open tea sprig and the blocky brick stack provide contrasting geometry around the long title.

TEXT: Main title exactly "SHAANXI". Secondary labels, each once and attached to its correct scene: Hanzhong; Ziyang; Pingli; Shangluo; Jingyang. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.