Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C1 — ENGRAVED TEA CONSTELLATION.
Two carefully separated spot inks. Organic engraved contours, selective small hatching and beautiful botanical structure, not grey photographic shading. A major tea subject anchors one side while smaller living stories nest into shared terraces, a riverbank or an architectural contour; these threads connect the illustration without enclosing it. A tall narrow serif regional title occupies a clear deliberate pocket. Vary foreground, middle distance and far silhouettes; avoid uniform line density and isolated circular vignettes.

REGION: SHANDONG. EXACT PALETTE: #244F67, #D08836. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

A large curved tea branch and a shallow basket of thick fresh leaves form the engraved foreground. Behind them a Wanggezhuang maker spreads leaves on a rack, with Laoshan's rounded granite rising beyond cultivated low hedges. A second lower field depicts Rizhao picking and an open farmhouse tea table. Inland, a small Yimeng ridge carries Junan leaf-sorting and a distant Linshu garden; Yishui appears as a small hill workshop. A tiny fishing boat beyond the coastal rock hints at the sea while all cultivation stays firmly on land.

REGIONAL TRUTH: Shandong's documented tea identities include Laoshan green tea around Qingdao, Rizhao green tea and the Yimeng tea area around Linyi. Wanggezhuang is a major Laoshan growing and processing locality; Rizhao has tea producers in Lanshan and Ju County. Junan, Yishui and Linshu are real parts of the Yimeng tea story. Show northern coastal cultivation in low hedges, leaf handling, processing and drinking, not tea bushes growing in seawater. Taishan and Qufu are cultural landmarks, not evidence for monastic tea estates. Do not claim that Laoshan is the only seaside tea or that all Shandong hills are planted with tea.

SPECIFIC COMPOSITION: The branch arcs above the middle title pocket. Two linked land contours step from near basket to inland workshop, leaving an open sea channel at right. Basket weave, leaf vein and granite hatch have different rhythms, with sharply resolved lines and no smudged tonal mass.

TEXT: Main title exactly "SHANDONG". Secondary labels, each once and attached to its correct scene: Laoshan; Rizhao; Junan; Yishui; Linshu. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.