Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C3 — LIVING TEA TERRITORY.
Five-colour illustrated tea territory, richly connected with a real regional river, ridge, street or courtyard procession as its organising spine. One large near tea action, a substantial counterweight and smaller midground scenes form three depths. Neighbouring episodes share real ground contours or architectural parts; there is no two-row grid or detached sticker arrangement. Strong condensed regional title fits the lower rhythm without acting as an opaque footer. Warm human storytelling, controlled decorative detail and selective flat accents.

REGION: HAINAN. EXACT PALETTE: #075B70, #C54D68, #61A477, #DDB850, #8B71A3. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

A sinuous interior-island stream threads two distinct tea landscapes into a large foreground tasting veranda. Left: Baisha ordered low tea hedges and a worker spreading green tea leaves on a shallow bamboo tray. Right: taller Shuiman large-leaf shrubs with a picker and the sharply fingered Wuzhishan ridge beyond. Between them show one open processing shelter with a rolling table and a modest pair of drying trays. At the front a host compares two leaf samples and pours tea for a visitor; bowls, a small pitcher and loose dry leaves are legible. Rainforest ferns and a distant boat-shaped Li house establish place without overwhelming tea work.

REGIONAL TRUTH: Hainan has two clearly established tea anchors: Baisha green tea and Wuzhishan large-leaf tea, with Shuiman a core production area. Show fresh leaf picking, sorting, rolling and island hospitality, with different plant scale from fine northern green tea. The central rainforest and cultivated tea slopes are distinct: never turn all jungle into tea rows. Li boat-shaped thatched houses are cultural motifs from the source map, not tea factories. Haikou arcades and coastal boats belong to cultural travel scenes. No claim that meteorite soil makes tea medicinal, no coffee replacing tea, and no invented tea estate on a beach.

SPECIFIC COMPOSITION: The stream is a clear winding opening between banks; the veranda extends across its near end without becoming a base panel. Baisha rows are lower and smoother, Wuzhishan peaks taller and irregular. Connect scenes through shared roof and branch overlaps. Condensed HAINAN follows the lower left ridge, away from the main hands.

TEXT: Main title exactly "HAINAN". Secondary labels, each once and attached to its correct scene: Baisha Green Tea; Wuzhishan Tea; Shuiman. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.