SIGNAGE RULE: All shop signs must be unlettered wood or simple geometric ornament. Absolutely no Chinese characters, pseudo-Chinese strokes or unreadable handwriting anywhere. Only the explicitly named English title and English place captions may be printed.

RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C1 — ENGRAVED TEA CONSTELLATION.
Two carefully separated spot inks. Organic engraved contours, selective small hatching and beautiful botanical structure, not grey photographic shading. A major tea subject anchors one side while smaller living stories nest into shared terraces, a riverbank or an architectural contour; these threads connect the illustration without enclosing it. A tall narrow serif regional title occupies a clear deliberate pocket. Vary foreground, middle distance and far silhouettes; avoid uniform line density and isolated circular vignettes.

REGION: HEBEI. EXACT PALETTE: #52463B, #478399. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

The near left hero is a Lingshou grower holding a fresh leaf basket beside a modest pair of cultivated rows at the Taihang foothills. Across the centre an open merchant workbench displays supplied compressed tea, plain wrapped parcels and a scale. Behind it Zhangjiakou's Dajingmen-like gate and two small pack camels recall trade rather than local growing. On the right a Baoding tea-counter gesture and a Cangzhou merchant tying a packet lead to a contemporary Chengde garden tea table. Give every hand a clear action and distinguish a living leaf from packaged traded tea.

REGIONAL TRUTH: Hebei's map contains a real but limited northern tea-growing story at Lingshou, confirmed by Shijiazhuang municipal reporting; do not turn the entire province into tea plantations. Zhangjiakou, including the Dajingmen gateway context, belongs to the Great Tea Road trade story, moving tea supplied from other regions. Historic Tianjin tea merchants also opened branches in Baoding and Cangzhou, supporting merchant-counter scenes there. Chengde's palace-and-garden landscape is documented; a contemporary visitor sharing tea there is an artistic hospitality scene, not a claimed historical ceremony. The Great Wall, Taihang, Yanshan and Bohai coast identify the wider region. Yanmen Pass is in Shanxi and must not appear as Hebei.

SPECIFIC COMPOSITION: A sinuous foothill-and-courtyard contour ties near basket to the distant gate and back to the tea table. The caravan is deliberately small, leaving working hands dominant. The tall serif title sits above the workbench. Fine two-ink engraving describes wicker, paper and stone, never a continuous dark terrain carpet.

TEXT: Main title exactly "HEBEI". Secondary labels, each once and attached to its correct scene: Lingshou; Zhangjiakou; Baoding; Cangzhou; Chengde. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.